Working with a Naked Lady – A Year Later

Today marks a year since I published my book Working With a Naked Lady. It was an experiment in several ways. By far it’s the longest thing I’d written last year and today is only approached in length by my recently completed Master’s thesis. It also gave me a chance to think about what I do when shooting and how I do it. I also had some hope that it would help other people getting started. I have heard from a handful of people

I posted an article back in February on some thoughts of those first few couple months and I thought I’d update it over the ten months since then. I’m going to intentionally be a bit vague on some things since there were a lot of experiments and trying things and some had restrictions on what I could share. This will be mostly of interest to others thinking of publishing or working on a book, but there are a few more things lower down that might be of interest to other readers (skip on down to the Next header).

I mentioned back in February that I wish I’d done more/better marketing and that’s probably still the biggest mistake that I made in this process. Next time I will start the marketing well beforehand. I didn’t really even put up a final web site for this book until about a month before it starting selling. Next time I figure I’ll start the web site around the same time I start writing the book. A good mailing list was my biggest advantage in the book and I want to do that again. That list provided the majority of my initial sales those first few days and I wouldn’t change much other than giving myself longer to put it together.

At some point I’ve sold the book directly, though Amazon for the Kindle, and through Barnes and Noble for the Nook. Without going into exact numbers, Amazon has been my best long term platform both in number of sales and income. In fact I’ve sold more books for the Kindle than both other outlets combined and the margin isn’t even close. My direct sales mostly came from the initial mailing list, but after the first month the Amazon Kindle won every month. Earlier this year the large margin was enough that I pulled the book from other outlets to make it exclusive for Amazon. The result wasn’t a large increase in sales, but it still looks to be the right decision.

One thing I’m not happy about that though is that it means that the vast majority of people who’ve bought my book are Amazon customers and not mine. It’s the same problem I’ve heard from developers in the app stores for the various software platforms. When someone buys my book for the Kindle, they buy it from Amazon and become a customer of Amazon (note it’s the same way for iBooks with Apple or Nook with Barnes and Noble). I have no idea who they are and unless they email me using the address in the book, I’ll never know a thought from them. I have no way of contacting them directly when I update the book or when I publish a new one. These aren’t new problems, a traditional book sold in a bookstore has the same issue. Still here the information exists, I just don’t have access to it and that annoys me just a bit, especially since Amazon is I’m sure taking advantage of that data.

The book’s never been a large seller. It’s probably too specialized to ever be more than a niche book. It did recently creep into the top 100 in a category for Nonfiction > Arts & Entertainment > Photography > Portraits under the Kindle store which is the first time I remember getting into any lists. I do find it interesting that Amazon lists a number of books also bought by purchasers which include (at least at the moment) two other how to photography books and a number of what I can best describe as low cost nude photo books. One of the how to books in particular is a quite good one that I’ve read and really enjoyed and I’m pretty happy to even be in the same room as it in any way.

I’ve also experimented with pricing a bit. I first found that free promotions had little effect. I didn’t see a significant change either before or after making the book free for a short period. In fact I would speculate that for a non-fiction work that is a single book, then there is little benefit in a free promotion. If I had other books available, then I expect the free sale might lead to purchases of the other books. For someone with only one book like myself though I feel it’s not of use. Also as the book has gotten older I’ve experimented with a few different price points, but mostly had the book priced at $9.99. I’ve currently moved to $4.99 and plan to leave it there at least through the end of the year. Based on results so far, which have seen better total income from increased sales at the lower price.

If I had to pick one long lasting effect though, it’s simply that I wrote and finished a book. Before last December 14, I’d never written anything other than for personal use or a school assignment. I now write paid articles on a part-time basis for a couple of web sites and am about to add a third to that list. I’m not sure I’d even had the confidence to even apply for those gigs without having done the book. While it’s not perfect by any stretch Completing a task of this scale

Next

So what’s next? At the end of my previous post on the book I noted that I’d probably do it again. While it’s taken longer than I’d planned I am now starting on the next book. One thing I feel I did do in this one was try to cover too much. Initially I’d planned it to be more focused and specific to just focus mostly on art nude style work and be about the process and planning of that type of shoot. I ended up adding a lot more including whole sections that really were more on general photography. I’m going to go back and redo that decision.

So my next book will be a more general photography how to book. It’ll do two things. First it will let me focus more on a single specific thing, the technical aspects of photography. Second it’ll give me something for those who’ve asked for a how to guide, but whom I knew wouldn’t feel comfortable with my other book because of the nude content. Once I’ve completed that book, I’ll likely do a follow up that will focus on art nude styled photography. In short I’m really going to take this book and break it into two shorter books with each focusing on a segment of that book.

Stay tuned for more info on the next book later this month.

Updates and a New Camera

Not much posting of late for which I’ll apologize. There were reasons of course, but I’ll not bore you with them other than to say that life got tough and busy for a bit, but now it’s better. The posting frequency should turn more to a regular pace moving forward.

I’ve had some nice shoot over the last few months with some familiar faces along with some new ones.  I will likely do something like I did late last year to catch up after downtime and post some in batches as we move through the end of December and into January. A few have some stuff that I’m very excited about sharing and will go a little more depth into those.

I’m also planning to bring my Tumblr blog over at http://tumblr.candidvision.com/ back to life over the next few weeks. I expect most of my postings will go here and there so if you’re following me either place you won’t miss much if anything.

A last item for today is that I’ve made the move to a full frame camera and now have the new Canon 6D. It’s a jump of a few generations from my existing camera and includes , but I think it’s time where I can take advantage of the benefits of a full frame camera. In my book last year, I noted that the time to upgrade equipment came when you started getting frustrated in the limitations of what you’re using. That time had come. More than once, especially when working outdoors this summer, I felt some frustrations of the low light capabilities of my trusty Canon T2i. It’s also been a bit of a problem as I’ve started working with light painting a method I see myself doing more of going forward. I’ll discuss a bit more about the differences between the two cameras and some of my reasons for changing moving forward in a post to come.

Light Painting with Keira and Angela

During the summer days I love working in the mountains. If you’ve not experienced it, it can be hard to believe the difference a couple thousand of feet in elevation can make. The downside of that can be when shooting late or at night you can get into some cool temperatures even in the summer months, especially for the model standing around nude. But during these summer days I took advantage of the warmth and a nice isolated area I’d discovered to try my hand at some outdoor light painting. I’d started with light painting earlier this year in a couple shoots. Here I wanted to take the concept outdoors and see what I could work out. Both shoots were interesting that they had some complications and were not smooth coordinating schedules, but both worked nicely and I’m happy with the results.

First with Keira and I already shared photos from the daytime part of that shoot. Afterward we waited out the late mid-summer sunset and tried some light painting. A few nice results below:

IMG_5857

IMG_5878

Also had a similar experience with Angela. She and I had tried to work out a time that worked for both of us when suddenly we were able to work out a time to collaborate. I met her in Asheville and we again headed up into the mountains. The weather threatened enough that we at shifted our location to be neared the car in case the lightning that flashed around us turned into an actual storm, which it never did. I was happy with the work and felt a little better control and understanding of what I was doing this time. The shift had a nice benefit in that it located a wonderful bank I was able to pose her against including the photos below.

Angela-3

Angela-2

Going to a Darker Place

Sometimes photo plans don’t work out. I’d planned this shoot with Melissa to be outdoors on a nice late summer afternoon. In the mountains though late summer brings the threat of storms and we prepared to go shoot, the weather to the west was quite ominous. A quick check of the radar on my phone showed several lines of rain and storms coming in toward town. So we went to a plan B, shooting some light painting indoors.

I like the first one here as part of a set we did. The idea is a mix of a couple of ideas, but the strongest is probably the horror movie cliché of the old asylum. The sepia toning I think adds to the older feel of looking at something from the past. The story here is one of questions. The slight out of focus to give it a feel of being a little off normal.  Is she someone trapped and trying to get out to the viewer for escape or is she trying to get out to ensnare the viewer? Is the hand restraining her trying to keep her in to protect the viewer, or keep her from being helped by the viewer? Melissa nailed the expression perfectly here, a mix of desperation, fear, and hope.

Melissa-Troutt-8

Some others around the same theme, but more directly something menacing than the first photo. Here there’s no doubt of the intent and I think the starkness of the lighting highlights that. Love her expression in the first of these too. It really conveys the the emotion wonderfully.

Melissa-Troutt-5

Melissa-Troutt-6

Some Glamour with Hannah Perez

Always enjoy getting the chance to work with Hannah.  She lately has also been bringing great people to work with along with her.  In our shoot in August she came through travelling with Angelique Kithos.  In this first set some glamour photos done with Hannah.  Don’t worry you’ll get to see Angelique and the two of them together soon.

IMG_6062

IMG_6089

IMG_6105

Keira and the Falls

Working with models that are travelling through the area always requires some flexibility.  Plans change due to everything from the weather to cancelations to transportation problems.  In spite of the best efforts of all involved sometimes things fall through.  A little luck always helps though.  Keira Grant and I had a shoot scheduled in late July, but her plans got thrown into chaos by some transport problems.  Luckily I had a few shoots already scheduled in Asheville the same time she was near the city and we were able to connect.  First part of the shoot we worked around a waterfall that I’d found earlier in the summer.  I love this location, so much that I kind of worry about overusing it.  The distance should help with that though and this is only the second time I worked there.  As always Keira does wonderful work.

Keira Grant at the Falls 1

Keira Grant at the Falls 2

Keira Grant at the Falls 3

Painting with Light

I can’t say for sure where I first got the interest in light painting other than I got the idea while out west.  My best guess of the inspiration came while watching the light play as the sun set while shooting with Jen near Phoenix.  I’d seen and read about light painting before of course, but I don’t remember ever feeling a strong desire to try it before then.  I do remember on my drive north out of Phoenix thinking about looking into the concept some more.  I set up the first shoot that I’d planned to try light painting while in Las Vegas, but that shoot ended up falling through.  The first time I brought a model to try light painting came in mid July with Kelsey Dylan.

If you’ve not come across light painting before, it’s photography with artificial light, but not the traditional strobe or flash.  Instead of a short bright light, light painting works by putting a subject in a dark room, using a slow shutter speed, and moving a light source to light the subject.  It allows effects that are difficult or impossible with normal flash.  It’s not easy though.  The long exposure times tax the ability of even the best model to remain motionless.  A lot of trial and error is involved.  Even now with several more shoots behind me I still find that I make more mistakes than I get right.  I’m enjoying the work though and you’ll see more coming in the near future.

It was my first time working with Kelsey and she was great.  She was also very patient as I tried and experimented through this.  The photos aren’t perfect, but I did get a few that came out pretty well.  These are probably the two that worked best.  More to come.

IMG_5509

IMG_5491