Flow

Melissa Against a WallIt doesn’t happen at every shoot or with every model, but sometimes while working with a model the two of us enter a state of flow where everything seems to just vanish except for the shoot (for a good overview of the idea of flow I suggest Flow: The Psychology of Optimal Experienceby Mihaly Csikszentmihalyi).  I’ve always found my best work comes from here.  It’s a fragile thing though and easily broken by the smallest outside interruption like a cell phone beep or a knock on the door.  When we’re in the flow an amazing amount of good work can be done in a short amount of time.  The model and I operate almost as a single unit to produce images, lost in the act of creating the images and operating at a level below thought and on instinct.  This image from a recent shoot with Melissa came from exactly one of those moments.

The photos come may come fast or slow, but the transitions move so smoothly that the normal evaluation of each individual photo becomes irrelevant.  Instead of the click, evaluate, change/correct, click process it works more like click, change, click.  In spite of the loss of that evaluation step, I usually find the images are as good if not better than done during the rest of the shoot.

I think this happens because for two reasons.  First is that while in the flow state I’m more focused on the process than the result.  I don’t analyze each image on the back of the camera, I just work on getting the current image onto the camera and I also stop thinking as much about each image.  I see those little moments that might otherwise pass by while I’m planning and just take images as they appear.  Second, the model and I are working as a single unit and I don’t have to pose each image.  I can be reactive to her and let her lead and she can react to my changes without needing verbal instructions.  In the shot with this post for example the pose evolved when I simply moved against the wall Melissa is leaning on and photographed her from a different angle than before.  She adjusted to this new angle without me having to ask or tell her what I wanted.  She just knew how to move for the shot.

When I go through the photos after the shoot I almost always find one photo that just stands out.  It’s not always one that I expected, but as soon as I see the image, the final version just appears in my head.  This photo of Melissa did just that when I saw it.  I saw the above version almost at once.  It has nothing in common with the photos taken on each side of it other than the subject and I think is one of my favorite two or three that I’ve taken with her.

Keep in Mind When Visiting Tennessee

Nyxon in Gloves

I’ve had two issues come up a few times when working with models travelling through the state.  Both have happened a few times of late so two tips when traveling TN from east to west or vice versa.

TN is a large state east to west compared to north to south.  It will take you about nine hours to drive from the southwest corner in Memphis to the northeast corner at Bristol.  For comparison in that same nine hours from the northeast corner in Bristol you could nearly drive to Philadelphia or drive to Jacksonville, FL with time to stop for a meal.  I live about an hour from the northeast corner of the state meaning that I’m (rounding up) about an hour from Knoxville, an hour and a half from Asheville (if you’re coming from North Carolina), and three and a half hours from Nashville.

Looking at the map will tell you the above, but less well known is that Tennessee has two time zones.  The western two thirds of the state lies in Central Time which is the same time zone as Chicago.  The cities of Nashville and Memphis lie here.  The remaining portion of the state is in Eastern Time just like New York and Atlanta.  The Eastern Time zone includes Chattanooga and Knoxville along with me.  So if you’re driving here from Nashville, it will be an hour later that the three and a half hour distance will indicate before you get here.  On the bright side driving from here to Nashville you’ll end up getting there in only two and a half hours on the clock.

Image above from recent shoot with Nyxon partly spent playing around with gloves.  She had no problem with time zones or the size of the state and was right on time.

Welcoming Back Spring

IMG_7293With the arrival of March spring begins in East Tennessee.  The temperatures climb and the rains begin and while there are moments where winter reminds you its not given up yet, most days do not.  I’ve gotten two outdoor shoots this month, both with new models and looking forward to more coming into April and a favorite returned this month giving us a chance to work together again.  I’ve spent much of the winter working on a couple of new projects that are about to go live to world and will be mentioned soon.

 

IMG_7236So now a few photos from the first outdoor of the year with Mya the first weekend in March.  Shooting that early always is risky with the unpredictable weather and in this case other commitments also meant a late start.  The shoot was on a day just warm enough to be comfortable most of the time.  Early the biggest issue was the wind that made things a bit cooler and made posing a bit hard, but at times could give some interesting effects (see left) but reminding us of the heavy rains heading our way.

 

IMG_7304The last images including this one of Mya on a log were done as the rains started to move in and our trip back from this location to the car was conducted in a light rain that increased to a downpour as we drove back to where we’d met up earlier in the day.  Overall a good day and nice to get back outdoors for the year.  Looking forward to the outdoor season as we move forward.

Updated Gallery

IMG_3963I took advantage of the wintry weather to update my gallery to a more recent version.  I also added a few new photos including this one of Adrina from the same shoot in November.

This update will allow me to more easily organize and add images to the site and hopefully mean more frequent updates.  Look for some minor changes to the gallery over the next few days.

 

 

 

 

 

 

 

 

 

I Miss Summer

So far it’s been a cold and snowy winter here in East Tennessee.  We’ve already had a few significant snows (around here anything more than an inch is significant) along with an ice storm.  Yesterday had a somewhat unexpected couple of inches that’s already mostly melted, but the forecast calls for more snow overnight into Saturday.

I’ve really enjoyed shooting outdoors since spring and the temperatures and weather make that pretty much impossible now.  With one exception I’ve shot indoors since November began.  That one exception was a short shoot where the model and I talked ourselves into giving it a try.  We got some nice work, but it was way too cold to be shooting nudes outdoors and we had to call it a short day.  I do give the model a lot of credit for braving the elements that morning.

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One of the last images I shot that day and therefore one of the last outdoor nudes I shot in 2010.  The model, Adrina Lynn, stopped shooting nudes a few weeks later, so I was glad to get the chance to get to work with her before she made the change.

Katlyn Lacoste

I’m currently overcommitted in my life and I don’t see things changing until sometime around the end of the month at best.  I’ve been travelling an unusual amount for my full time job since mid October and that small nudge seems to have pushed my schedule into overload.  Some things have had to go to the backburner and this blog has been one of them.  The irony of my silence here is that I’ve been doing a lot of shoots lately and have enough material to post to the blog through the end of the year if I did not more.

I have some catching up to do, so for today, I’m going back to September and posting a few photos I did when Katlyn and Melissa were here back in September.  Given the amount of Melissa already on my blog, today I think that I’ll go with just a few with Katlyn alone.

Both are outdoor nudes done earlier that day.

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Melissa, Katlyn, and the Best Mistake of a Day

In mid-September I had the chance to work with Melissa Troutt as she was travelling with fellow model Katlyn Lacoste.  The two have worked together quite a bit and it really showed in their images together.  We spent a long and fruitful day working in one of my favorite areas in Northeast Tennessee.  The weather was perfect and we got an amazing day and many great shots including a few that I’m going to share.

I’ve actually rarely worked with two models at the same time.  One of my first nude shoots had a brief overlap where I worked with two models together between working with them alone.  My inexperience left the photos lacking and I didn’t attempt the concept again for a number of years until I’d gained more experience working with just one model.  In fact the next two attempts both had a bit of a jinx as the first was beset with problems and the second last fall came right before the personal issues that put me off photography for a while and it never got the attention it deserved.  In fact I hope soon to go back and process the photos from that shoot again as I know they deserve more attention.

Working with two models is a different experience than working with a single model.  In fact the biggest mistake that I think I made during this shoot was being too conservative in working with them.  I too often took simple compositions and centered the models in the frame instead of more interesting compositions.  It’s a lesson for the next time and a reminder to me to not be as timid when trying new ideas and concepts.  There was one place though where I did not take that conservative route and think the resulting image is amazing.

This image was the one I mentioned and that inspired my Post on Learning from Mistakes.  As I mentioned there, this image was the result of what initially was a mistake.  The image was shot with both Melissa and Katlyn lying on the rocks at a waterfall perhaps thirty feet from me.  A few shots before I’d mistakenly hit the trigger while recomposing by zooming in from a wide angle to close shot of them.  The result of that try was a mess, but I noticed the warping effect you see here in that image.  This was the best of several images that I took experimenting with creating that effect.  The dreamlike and almost vertigo like effect to it really appeals to me.

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I am Bill or Thoughts on Anonymity

Wow, two contemplative posts in a row.  Don’t worry we’ll get back to photos shortly, but in fact the shoot I’m posting next is the one that finally pushed me to a decision I’ve been contemplating for a few months now.  That decision is to be a bit less anonymous about my work.  As you may have guessed from the title, my name is Bill Morefield and I do art nude photography (among other things).  The rest of this post is a bit long, but it’s about why I did anonymity in the first place and how I got back to here from there.  Some thoughts maybe for those of you on either side of the camera considering the same question.  Do I use my real name or not?

Most of nude models that I work with ask for some level of anonymity that I’m happy to grant. Almost all work under a pseudonym created using a completely fake name, a variation of their name, a nickname, or some part of the their real name with a fictional last name. In a few cases, a model has asked me to provide more anonymity by not showing her face or a distinguishing body feature like a tattoo because of their profession or concerns about the effect on a planned future profession.

The sad (to me) truth is that for many women, being found to have posed nude would be the source of negative feedback or friction from family or friends. I’ve seen that happen and had a very promising model give up on modeling because of the reactions of her family when they learned that she’d posed topless in some images that we took. In addition of course are some professions (teaching elementary school comes immediately to mind) where being found to have posed nude online could even result in the loss of a job in many more conservative areas.  Using a pseudonym helps the model have better control over sharing that part of her life.  She can choose who she lets in to that part of her life and the rest of the world can remain ignorant.

For the photographer the issues are different, but there are still factors.  I have had the occasional issue in a romantic relationship when the subject of much of my photography first comes up, but rarely is it a relationship stopping issue.  I also live in a very conservative area and there are many who I’m sure would not approve the work that I do.  Still, I didn’t start working under the Candid Vision name for anonymity.

When I first began to work more often with models I did so as just Bill and used my main email address as my primary contact.  At the time I received large amounts of email and even larger amounts of spam and I had a few shoots get delayed because the message from the model was lost in the mass of junk email.

The final straw came when I lost the chance to work with a model that I really wanted to work with because my lack of reply to her message, sitting unnoticed in my spam folder, was interpreted by the model as ignoring her.  She was insulted and I was never able to repair it.  I decided it was time to get a separate email for photography.

After writing out a few name ideas for domains I found the first few on my list already taken. Candid Vision was the first on my list available so I bought the domain and set up email and web hosting for the new candidvision.com domain.

A few months later I did a search for my name on Google and was surprised when the second link was to my profile on a photography web site. I admit that it unnerved me a bit to see the second match for my name lead to a site showcasing several nude photographs that I’d taken. At the time photography was still a little hobby and I was still exploring and experimenting. I moved to the name Candid Vision for all my work and updated my stuff to that and began using it on new places.

A lot has changed in the years since then. I’ve gotten more experience, worked with more people, and gotten better at craft of photography.  What’s changed more than anything is my desire to better network with both models and photographers and continue to push myself artistically.  I now feel that photography is a large part of my life and while I realize there are people who will disapprove of the fact I do nude photography, it stopped bothering me that this is the case a long time ago.  Candid Vision is not going away, I still like the moniker and that will stay, but the anonymity is gone.  I’m Bill, it’s nice to meet you.

Learning from Mistakes

We’re generally taught from a young age to avoid mistakes.  In early school you learn information and feed it back the same way you heard it.  For all the comments by parents about trying your best being the important thing, few people or places reward making mistakes no matter how much you tried or why the mistake happened.  Even fewer will ask what you learned from the mistake and treat that as valuable information.

In spite of this there is a long and storied list of inventions and discoveries that were the result of a mistake, error, or accident such as post-it-notes and penicillin.  In most of these case the mistake was met with someone working on a problem and instead of tossing the mistake out, they investigated it and found a use for it.

What does this have to do with photography?  I was reminded of this when processing some images a few weeks ago.  I’ve developed into a person who has little fear of making mistakes. It’s not that I don’t get embarrassed or frustrated at them or that I don’t want to do things as well as I can. What I’ve learned is that to progress in any skill from business to photography you have to push the edges of your abilities and in doing so you will make mistakes.

I think the key is that when you make a mistake, try to figure out what went wrong.  An example for me occurred in one of my early shoots with a model.  It was a disaster. We didn’t connect, the model’s poses came out looking stiff, and we had different expectations going in about what content we’d be shooting.  As frustrating and wasteful as that shoot seemed at this time, I learned the importance of establishing rapport and connection with the model and the need to ensure that we both had the same expectations before the shoot. That shoot didn’t work well at all, but from that experience I learned lessons that have improved every shoot that followed.

A mistake doesn’t have to be that dramatic to teach you something. It can be something that your initial reaction is to shrug off and just delete off the back of the camera.

At a recent shoot as part of the outdoor project that I’ve worked on most of the year I had two models posed on a waterfall. While zooming in to change the composition of the image my finger accidently hit the trigger. It was completely unplanned and the resulting image was a terrible jumble of blurring from lack of focus and bad exposure.

Except one thing about it appealed to me, a warping effect that had been created from the movement of the zoom while the shutter was open. I decided to try that effect intentionally a couple of times before moving on with the rest of the shoot. One didn’t come out well, but the other image was exactly what I wanted. When I showed it to the models on the back of the camera once they were back on level ground both liked the image and after I processed it, both loved the result.

If I hadn’t paid attention to my mistake, then I’d never saw the interesting effect and tried to replicate it resulting in an amazing image.

Pay attention to your mistakes, they may just create some of your best work.