Bad Decision, Good Photos

A common theme in my posts on my August shoots with Hannah and Monica, Bree, Viktoria in August was the threat of rain. I drove home from the first two of those three in fairly heavy rain pretty soon after leaving the shoots. The weather hadn’t been my friend early this year, but since May had been more cooperative. On the last day of August that cooperation ended.

For the last day of the month I had a shoot with Melinda planned in the mountains. As the shoot neared, the forecast wasn’t promising. That morning the forecast threatened rain and storms early, but the chance of precipitation dropped after noon. Melinda and I texted that that morning and felt comfortable enough to meet a bit later than originally planned and headed up to the location. The sky when we met contained only scattered clouds, but nothing to hint at the weather to come. The drive held a little more cloudy weather, but again nothing to make us rethink the decision until when we arrived there.

I spend enough time outdoors that I have developed a decent feel for the weather, at least the short term weather. Looking at the sky then my instinct told me that it was likely to rain. Probably nothing more than a light shower or drizzle, but there was a real chance of something heavier. The light rumble of thunder as we headed in were almost like a final warning of nature of what it had in store. I didn’t listen to that experience.

Why? A mix of things. I’d wanted to shoot this spot for a long time. I’d found it more than a year before, but hadn’t been able to get the right combination of the right model, time to go there, and warm enough weather all at the same time until this day. I already had a lot of drive and preparation time invested in the shoot when we parked the car. I didn’t want to walk away after getting here, and in a rare case I really didn’t have a location for a plan B.

It was a long hike from our parking spot and not an easy hike with a lot of elevation change, not the kind of trip to take in iffy weather. The first spot I had in mind lay about a mile and a half and nearly 1,000 feet of climbing away. The second was another half mile further. We headed in feeling a lot more optimistic than I should have.

We’d made it just more than a mile up when I realized the decision was a poor one. I knew we were going to get more than a sprinkle, but still didn’t know what lay in store. The nearest shelter was closer than going back, so we pressed on. As the light rain began, I pulled out the rain jacket I always carry since getting caught in a storm last summer and gave Melinda a second jacket that I’d brought.

I had prepared for the chance of rain. I had the jackets I noted and even extra clothes back in the car. I wasn’t prepared for the storm the rain quickly turned into. We sheltered under some pines for a time, until it was clear that the rain was going to be long and too hard for the foliage to provide protection. I’ve been caught a few times in storms while shooting. A shoot last summer and my first shoot with Hannah Perez several years ago. The rain at the shoot last summer was intense, but we were near the car when it hit and out of the rain in a few minutes. Hannah and I were on our way out when we were caught in the storm, but still endured a long and drenching walk. In both of those other shoots we’d been left soaked, but heading out after the shoot was done.

Here I was better prepared than at either of the other times with a good rain jacket and a jacket for Melinda.

It didn’t help.

I won’t say I’ve never seen a heavier rain, but it felt worse than anything I remember being caught in. Not just the rain, but the lightning just a little too close for comfort and being out there with nowhere to really go. Melinda and I had probably fifteen minutes of walking to the nearest shelter in the best of weather. As we climbed the trails filled with runoff from the downpour to the point it felt like wading a creek. My rain gear did a decent job of keeping my head and shirt dry, but I quickly became soaked from the waist down. Melinda also got soaked, but kept her hair somewhat dry and I’m surprised she kept as dry as she did.

After the miserable hike in the rain we arrived at a shelter happy just to be out of the rain. It looked empty when we arrived and no one answered when I called out a few times. We stripped off our soaked clothes to try to wring them out, let some dry, and regain at least some level of comfort while waiting out the rain. Really nothing to make a lasting impression when working with a model the first time like getting caught in a storm and stripping down to get dried out. Adding to the fun it turned out we weren’t quite alone as thought. Another couple had taken shelter before the rain, but were in another part of the shelter and apparently couldn’t here me over the rain. They saw a bit more than they probably expected that day.

Doing outdoor work relies on being able to adapt to changes quickly. Before we’d even taken the first photos, it was perhaps the least cooperative weather I’d seen. So while the rain continued I evaluated what we had. These summer storms can be intense, but rarely last long meaning we’d likely be clear in a half hour or so. Checking her outfits we found a fortunate break in that the dress we’d planned to work with remained dry. I’d planned to shoot around the spot we’d taken shelter. So Melinda got into the dress and we did our first work using the wall along the shelter. I’d brought a small flash and soft box with me in case I decided to shoot here which gave me the ability to produce some decent light. I’m actually pretty happy with how the photos came out.

Melinda

Melinda

Melinda’s hair was straight before we had started the trip which tells you all you need to know about the effect of the weather.

The rain had stopped while we shot there. Behind it left a slightly cool temperature, especially when your clothes are still damp, and fog. Lots of fog. I hadn’t planned for rain and can’t really say it helped anything, but the fog I could find an advantage in. I’d actually had some thoughts of shooting in fog before, but here deep in the woods after a rain with fog felt like an idea I could work with.

We headed out to a second location, moving further from the vehicle as the storm had lifted to reveal the weather we’d expected going into the shoot. I’d found a spot with an old chimney, all left of some forgotten cabin, and had the idea of it as a sort of gate. I’d played a bit with the idea of a gate guardian with Hannah and Monica in some photos, but here the fog could work to enhance the effect with Melinda as the guardian of some deep forest gateway.  The fog really shows in the second of these two.

Melinda 

Melinda

I’m very happy with the photos. While not what I’d planned starting the day, they came out very nice. The shelter worked well with Melinda’s glamour after splashed by rain look. And I loved the foggy location with that old chimney. Melinda was wonderful to work with and rolled with the punches the weather threw at us. I’m hoping to work again with her soon.

Summer work with Ashley Graham

I live only a few hours from Atlanta, close enough I’ve been there and back in the same day more than once. For some reason I rarely go to Atlanta with time to get much photography in. I did work in a shoot that I realize I’ve not posted anything from, which I will correct soon, back in the winter for the first time in a few years. During the summer I had a longer trip to Atlanta and worked in a shoot with Ashley Graham before leaving the city.

I first worked with her on a waterfall shoot a few years ago, and I always enjoy working with her. She’s an amazing model to work with and very good at taking a pose and working with little direction. Some work from the shoot below.

Ashley Graham

Ashley Graham

Ashley Graham

Want to see more from this shoot including some more risqué work. Two galleries can be found on Uncovered Visions here and here.

First of Fall

I’ve long considered fall my favorite season and today marks the start of the latest version. September is a pretty quiet month for me shooting, but I’ve kept myself busy with some other photography projects, one of which I’ll have more about around the first of October.

The calendar doesn’t directly affect the weather, but today the first day of fall really does feel like it. I took a long hike this morning in the woods for a few hours not seeing another human soul the whole time. The squirrels scamper around gathering nuts and the mostly eaten remnants of walnuts litter the trails. The first hints of color show in a few trees and the first pioneers of the leaves to soon cover the ground have arrived. In a couple weeks I expect to be looking at a wonderful display of color that the weather of the year should have set up for us.

I do miss shooting models outside as the weather cools, but on those rare days when temperatures and schedules align the combination of the two can be quite interesting. This year I’ve gotten outdoors for shoots less often than I’d like because of the weather and other interruptions and distractions in life. In fact spring and early summer really were a terrible year for shooting outdoors and August really was my most productive month by a wide margin.

Still I’m looking forward to fall this year. I have a pretty nice schedule of shoots for October planned. Hopefully the weather will cooperate for at least a few of them to get some last outdoor shots before winter sets in. While I’m going to focus on landscape, stars, and non model photography while in Arizona this November, I do expect a few shoots out there with some familiar faces.

A few fall outdoors photos from the archives. First a shot of Adrina Lynn from back in 2010 in weather that really was way too cold to do outdoor nudes. We only worked about a half hour and it was obvious that it was just too cold. It took her quite a while to warm up afterward.

Adrina

Also a shot I love of Melissa Troutt from early October a couple years ago. This shoot was very on the fly and scrambling as our originally planned location didn’t work out and we had to improvise. We wound up trying a nice little spot I need to go back to again some day. Melissa was also still getting over a very nasty case of poison ivy requiring a little extra editing and posing care. We still got some pretty good work that day.

Melissa Troutt

Hannah Perez and Monica Jade – The Falls Three

This actually was the first shoot chronologically in the early part of August. I shot with Bree a few weeks later and Viktoria a few days after that. Hannah always travels with good models and several times I’ve worked with someone for the first time when travelling with her though in this case I’d already worked with Monica for the first time earlier in the year. We planned to meet up near the location for a late morning shoot. In a trend of the month, the weather was threatening calling for about a 50/50 chance of rain even a couple days before. We decided to plan for the shoot to work and hope we got lucky.

Hannah Perez and Monica Jade

We headed up to the location and got there and the weather was pretty cooperative. It was cloudy and the clear threat of rain was there, but not enough to feel we had no chance of getting the shoot completed. We even had a little sun to start, which was an unexpected bonus and curse. We started at the falls. Hannah and Monica work well together, a big advantage of pairing models that know each other before the shoot, and did wonderful work.

Hannah Perez and Monica Jade

We also did the first of the meadow shots and really my favorite work there. The concept here came from talking with the models, the idea is the photographer is a bit of a voyeur coming across the two of them walking together in the woods. It worked nicely.

Hannah Perez and Monica Jade

 

See more from this shoot at Uncovered Visions.

Viktoria at the Falls – The Falls Two

The third shoot of my experiment with working with multiple models at the same location came with Viktoria, a professional trained ballet dancer. This shoot contained an interesting shift taking place only a few days after the shoot with Bree in the same location. I mentioned that I’d driven home from the shoot with Bree in a pretty good rain, but in fact it rained much of the time between the two shoots. In fact Viktoria and I changed plans the morning of the shoot planning to shoot inside because of the threat of weather. Thankfully the forecast improved at the last minute and we were able to go back to our original plan of shooting in this location.

Part of my desire to upgrade cameras late last year came for shoots like this. We were meeting late and in cloudy weather to shoot in deep woods. There’s little chance my previous camera could have handled the ISO needed here and not introduced too much noise. The rain also meant that any attempt to shoot in the falls would be out of the question. The water flow was too high to put anyone into so we focused on the landscape around the falls.

Viktoria

While Viktoria couldn’t get into the falls, it still worked as a nice set to pose her against.

Viktoria

We also did some light painting work late in the shoot in that meadow I mentioned.

Viktoria

Viktoria also posted a few photos from the shoot on her Tumblr.

See more photos from this shoot

The Falls One – With Bree Addams

As I put together my schedule for August I found that I’d be working in western North Carolina a lot that month. That’s not unusual, but I’d worked a lot less there than normal this summer for several reasons. I had the idea to try a bit of an experiment and schedule several shoots to overlap in locations. I had two spots in mind in particular that I wanted to explore the differences I could get in the same spot, but varying the time of day, model, and just the natural evolution of the landscape over the course of a month. The first is a waterfall location that’s a favorite of mine and the second is an open meadow in the same area.

In the end I set up three shoots among four models. The middle of the three shoots took place with Bree Addams. It’s the first time we’ve gotten the chance to work together in a couple years. Enjoyed the chance to work together and love her dedication and willingness to go well beyond to get these shots. The weather was cooperative for the most part. While it drizzled a bit on us, no real rain fell during the shoot. The weather made up for it in my drive back to Tennessee that night in a near steady and at times heavy rain.

First some shots at the falls. Love the nice shaping on the first photo of her.

Bree Addams

I mentioned Bree is willing to put herself out there for the shot right? The water was moving pretty good at the falls and she still got into it for some shots like this one.

Bree Addams

And the meadow? Actually for this photo I’m standing in the meadow shooting back toward her.

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Want to see more from this shoot? Then check out Uncovered Visions.

Moon from a Fairy Tale

These are from working with Xlcr Moon back in late July. The odd weather of this summer continues, but this marked the start of a turn around in my luck when it came to the weather. After being rained out much of the spring and Murphy’s Law winning in Arizona, this shoot marked the start of a run of close calls, but successful outdoor work.

There’s something about this location that often brings me to mind of fairy tale shoots. I think it’s a combination of the outstanding greenery there this time of year, the beautiful streams that flow through the area, and the wonderful rocks and boulders that are scattered around. I’ve shot here probably more than any other location over the last four years and I doubt most could tell photos taken yards apart. These photos are from a spot there I’d not actually used in a couple years and like how they came out. The white dress and bright green I think give it that fairy tell look here.

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Xlcr-Moon-July-2013-17

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Xlcr-Moon-July-2013-20

Jessi June in June

You know I didn’t even notice we shot in June until I started to write this entry?

I had intentionally taken a bit of time off from shooting after my trip to Arizona in early June expecting I’d be worn and with a lot to go through. While the trip didn’t go as planned, it still turned out good that a family medical situation tied me up for much of those first couple of weeks back in Tennessee. I was able to work in a shoot with the wonderful Jessi June. We’d shot together before and it was amazing to see how much she’s grown as a model since the last time we worked together. A quick shoot, but one that worked out very well as you can see in these shots from our shoot.

Jessi June

Jessi June

Melissa in the Hall

Following up my post a last week with Melissa a few more from that second shoot. The setup for these is much the same as the last image with a little tweak. A single flash behind the door at the end of the hall still provides the only light, but the door now opens wider. The flash now casts a beam through the more open door illuminating more of the hall along with the floor around Melissa. That single flash provides the only light for these images. I left the flash unmodified to produce a very harsh light to better bring out the textures in the wall and give a high contrast lighting reminiscent of film noir. The film noir style focuses on moody, dark, and dramatic themes with a low key black and white lighting style.

So a bit about the setup behind these images and the path that got to here. A few days before this shoot I’d watched the Humphrey Bogart/Lauren Bacall version of The Big Sleep based of the Raymond Chandler novel. It’s a classic film noir and my personal favorite example of the genre. The film tells a tale of a private investigator played by Bogart that becomes embroiled in a mess of blackmail, murder, and betrayal after being hired by a wealthy man to handle his daughter’s gambling debts. Like most film noir the story contains elements of sex, blackmail, crime that have led crime stories to be associated with the genre.

After shooting some images as the last I posted with Melissa peeking into a cracked door, the idea came for these. The light already had an element of that noir look and I enhanced that by shifting the light and removing the modifiers to give sharp lined shadows and hard contrast lighting. Our thought here was the story of a male presence along with a nude woman in a simple interaction of looking at each other across a small distance. The male presence is myself in a rare appearance in front of the camera. The camera is on a tripod at the far end of the hallway from Melissa and being triggered by a remote. I don’t remember for these two, but in several of them Melissa has the remote and triggered the camera hiding it shadow for the shot.

Melissa-Troutt-7

I like the first image above mostly from Melissa’s pose and expression. The male looks to have just come into the hallway and found her here. The look on Melissa’s face has just enough ambiguity in its neutrality to make you wonder at her reaction to the arrival. She seems a little concerned and guarded. There’s the question of why is she in the hall? Why is she nude? Who is this person with her? What is their relationship? What’s inside that room with the open door? My positioning where I stand in silhouette and block any view beyond her are both intentional to add mystery to the scene.

In the second below I’m a more full presence and I like the connection of her looking up at me as I look down toward her. Her pulled in body contrasts with the less guarded expression. In both images I think there are several stories once can fit to the scene. What are the intents of both characters and what relation do they have? Why are they here? It’s that ambiguity and question I wanted to capture in these photos. In the end a noir story or movie isn’t about the results. You don’t watch The Big Sleep to find out who killed the chauffeur, you watch to see the investigation and the twists and turns of the story. Here the photo doesn’t tell you what happened before this moment or afterward, but provides enough for you to write your own story around it.

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