Looking Back and Looking Forward – 1

As we prepare to celebrate the passage of one completely arbitrary division of time to another this week, there’s a seemingly natural call for reflection or at least looking back. I’ve not been immune over these last days. I’ll not be sad to see 2013 fade into the rear view mirror. I can think of no year as full of frustrations as 2013. There were moments of fun and happiness of course and I’ll speak to those tomorrow. But there were parts of 2013, especially the spring and summer months, that challenged and placed me under some of the worst stress and pressure I’ve faced. It often wasn’t fun and I more than once felt like a ship adrift in storms far from a safe harbor.

So forgive me this week if I take some time to look both directions. Backward to the past, and forward to the coming year over the next few days. There will be photos too.

Like many children, I had a fear of the dark. It was never the dark I feared, but unknown things that could be lurking in the dark. What those things were are lost along with many other childish thoughts from those days. What I think I truly feared though was the unknown that the dark represented, and that fear of the unknown lingers in us all.

I no longer fear monsters hiding in the night, but those unknowns still exist.  It comes in when a person you trusted and cared for hurts you without explanation. The fear arrives as the tone in a lover’s voice when you realize that she’s going to end the relationship. It will show up as the ringing phone in the middle of the night that leads you to a loved one in the hospital. It brings with it injury and age as they take a toll on those you love. It comes when those we care about and trust leave or betray us and we do not understand why.

As a child I could hide under the covers feeling from the fear or run to the light of my parent’s porch where safety lay. My adult fears cannot be escaped as easily. Instead they follow me into bed during sleepless nights passed staring at the dark ceiling. They cannot be defeated like the monsters in a horror story.

But they can be defeated by facing them. By feeling fear, but moving anyway. By trusting again after someone breaks your trust. By letting someone else in to see the scar the last person left when they parted. By cherishing time that remains with those who have little left.

Fear tells you what you care about. Fear sharpens your focus to what truly matters.

As the year ends I’ve been buffeted, hammered, and perhaps a little bent. But I’ve not broken. I’ve picked myself up, dusted myself off, and begun moving forward again.

I’ve been angry and hurt this year, but I’m choosing to forgive. There were friendships that have been lost or strained, and I’m choosing to attempt to rebuild those. To reach out to those who hurt me and attempt to repair the damage done without worrying about who did what to who. I do so knowing they won’t all repair, but that some will and those are worth the pain of the ones that do not. I will let people in again knowing some will hurt me someday, but those who do not will be worth that pain.

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This week I’m going to post some photos from my early shoots. I’m going back into the archives for these so expect to see more of my learning process than polished work. Some are images I like, but all, along with many others not posted, were part of the growth process toward getting to where I am as a photographer today.

In 2008 I decided to make a real push to get more serious about my photography after dabbling in and out of it for a few years. This photo comes from a shoot that fall and one of the first shoot after making a late year decision to really start working and improving my craft. Tammi was inexperienced, but willing to learn, and had a lot of potential as a model. We only worked together this one time. A similar color photo this pose is still in her portfolio today though she didn’t model long.

First of Fall

I’ve long considered fall my favorite season and today marks the start of the latest version. September is a pretty quiet month for me shooting, but I’ve kept myself busy with some other photography projects, one of which I’ll have more about around the first of October.

The calendar doesn’t directly affect the weather, but today the first day of fall really does feel like it. I took a long hike this morning in the woods for a few hours not seeing another human soul the whole time. The squirrels scamper around gathering nuts and the mostly eaten remnants of walnuts litter the trails. The first hints of color show in a few trees and the first pioneers of the leaves to soon cover the ground have arrived. In a couple weeks I expect to be looking at a wonderful display of color that the weather of the year should have set up for us.

I do miss shooting models outside as the weather cools, but on those rare days when temperatures and schedules align the combination of the two can be quite interesting. This year I’ve gotten outdoors for shoots less often than I’d like because of the weather and other interruptions and distractions in life. In fact spring and early summer really were a terrible year for shooting outdoors and August really was my most productive month by a wide margin.

Still I’m looking forward to fall this year. I have a pretty nice schedule of shoots for October planned. Hopefully the weather will cooperate for at least a few of them to get some last outdoor shots before winter sets in. While I’m going to focus on landscape, stars, and non model photography while in Arizona this November, I do expect a few shoots out there with some familiar faces.

A few fall outdoors photos from the archives. First a shot of Adrina Lynn from back in 2010 in weather that really was way too cold to do outdoor nudes. We only worked about a half hour and it was obvious that it was just too cold. It took her quite a while to warm up afterward.

Adrina

Also a shot I love of Melissa Troutt from early October a couple years ago. This shoot was very on the fly and scrambling as our originally planned location didn’t work out and we had to improvise. We wound up trying a nice little spot I need to go back to again some day. Melissa was also still getting over a very nasty case of poison ivy requiring a little extra editing and posing care. We still got some pretty good work that day.

Melissa Troutt

Happy New Year – Moving into 2013

I’m not a believer in New Year’s resolutions as I feel that if I find something I want to change I generally prefer to start then instead of waiting until the next time the calendar year flips over. Still I do admit that the combination of the calendar changing and the somewhat quiet moments that pass after Christmas and before New Year’s Day do much to make it almost impossible not to reflect for a bit.

As a photographer 2012 brought much good and some bad. I made some advances, but felt frustrations in my work more than once. I hit a bit of a wall this year, especially late in the year, and am not completely sure I’ve moved past it yet. I enjoyed working with many wonderful models this year including a number of new ones. Though it actually came out in 2011 and most of the work was done that year, I still think of the book as part of my 2012 work. It turned out to be an interesting experiment, one which at least was useful to a few people based on feedback I’ve gotten so I feel it was worth the time and effort.

In my personal life I completed my Master’s degree which had been a major investment of my time and energy over the last three plus years and now leaves me with a lot of free time moving forward into 2013. I dealt with a serious family emergency late this year that took a lot of my time and energy, especially as it combined with the wrapping up of that degree. While the situation in the family is well settled now, and better than I could have hoped for, it was still a major energy drain the last few months of the year and has left me somewhat behind. And I’ve managed to get my health into a vastly different place for the better and am now down to a weight I’ve not been since college. Before warmer weather returns for spring, I should at a normal weight again for the first time since my early college days. Even still carrying a bit of extra weight I’m likely in the best health and shape of my life right now.

Looking forward in the next year I’m going to continue to look more at landscape work in addition to my nude work. I’ve always had a love of landscapes. I shot those long before I used anything near professional equipment and before I’d taken one photo of a model. I’ve always enjoyed combining the nude and landscapes, but will move more toward more of nature on its own too. I don’t plan to shoot any fewer nudes or fewer combinations of the two, but increase my landscape only work.

I’m also planning to travel more in the coming year. I’m already working on planning one trip back to the southwest for late spring and will post more of that when it settles in. I’m looking forward to 2013 and what it brings.

Updates and a New Camera

Not much posting of late for which I’ll apologize. There were reasons of course, but I’ll not bore you with them other than to say that life got tough and busy for a bit, but now it’s better. The posting frequency should turn more to a regular pace moving forward.

I’ve had some nice shoot over the last few months with some familiar faces along with some new ones.  I will likely do something like I did late last year to catch up after downtime and post some in batches as we move through the end of December and into January. A few have some stuff that I’m very excited about sharing and will go a little more depth into those.

I’m also planning to bring my Tumblr blog over at http://tumblr.candidvision.com/ back to life over the next few weeks. I expect most of my postings will go here and there so if you’re following me either place you won’t miss much if anything.

A last item for today is that I’ve made the move to a full frame camera and now have the new Canon 6D. It’s a jump of a few generations from my existing camera and includes , but I think it’s time where I can take advantage of the benefits of a full frame camera. In my book last year, I noted that the time to upgrade equipment came when you started getting frustrated in the limitations of what you’re using. That time had come. More than once, especially when working outdoors this summer, I felt some frustrations of the low light capabilities of my trusty Canon T2i. It’s also been a bit of a problem as I’ve started working with light painting a method I see myself doing more of going forward. I’ll discuss a bit more about the differences between the two cameras and some of my reasons for changing moving forward in a post to come.

Reflecting at 33,000 Feet

I started this post 33,000 feet over Kansas thanks to the wonder of in flight wifi.  The quality is quite nice in fact a person in front of me watched part of the US Open on it.  It made the four plus hours flight and made me a lot more productive.  I didn’t publish from there because the photo I wanted to include below was in my checked bag so not available.

I noted in the post written before I flew out west that I’d hoped to clear my head a bit both artistically and personally on this trip.  Ten days later and I’m happy to say I’ve accomplished a bit of both out here.  I flew into Las Vegas, but spent the first part of my trip around Phoenix, AZ shooting the local landscape and working with several amazing models.  I already wanted to come back to Phoenix before I had left the city.  The people I met and worked with there were all wonderful and accomplished artists.  The desert landscape and terrain is so different from what I normally shoot that I want to explore it more.  In particular a late afternoon to sunset shoot I did produced some amazing work I’ll be showing later.  I’m likely going back in the fall or spring when the heat isn’t quite as pressing during the middle of the day and shooting will be easier throughout.

I then made my way northward to spend a few days at the Grand Canyon.  If you’ve ever thought of going there, just do it.  The first glimpse surpassed all expectations I had.  I can say the word awesome is used in its true sense when describing the place.  The photo to the below was taken on the less visited north rim my last night there at sunset.  It was the one night I was able to stay inside the park and the view of the stars that night (which I did not photograph due to dead camera batteries) were beyond humbling.  I already want to come back again here and do the hike from rim to rim soon.  That’s definitely not a summertime activity, though I did meet a group of young women who did just that.

GrandCanyon

After my Canyon stay I headed back over to Las Vegas for the rest of my stay.  I love Vegas in doses, but I’m never that sad to leave.  Early in the stay I had a wonderful shoot at my hotel with an amazing, artistically minded model.  It was my only indoor shoot on the trip and I can’t wait to get through the photos.  I tried some new things there and pushed out of my comfort zone a bit, but the results look to be worth it.  I also had a nice desert shoot outdoors this week in a great location outside the city.

A great trip overall.  I got the photos I had in my mind I wanted to get on the trip.  I pushed myself artistically and personally and successfully for the most part.  In the desert I actually had a tumbleweed roll across the road right in front of my car near the Utah and Arizona border just like in a movie.  I watched a dust devil cross the road a few hundred yards in front of me and then fall apart before I could pull over and get a photo.  I saw beautiful sunsets, smog over Phoenix from the mountains near the city, and the devastating fires in New Mexico as we flew overhead close enough we flew through the smoke.  I saw bachelor parties, bachelorette parties, the fun, and the insanity of Vegas.  And on my flight back I sat behind a couple that got married while out in Vegas.

Photos to come soon as I get time now to finally work and process them starting with a shoot a couple days before I left out of town.

Make Good Art

I have history with commencement speeches.  I’ve been through two as a participant, once for high school and once for college.  I may be in my third when I complete my Master’s Degree in December.  At the high school one I had to give a short speech.  All that I really remember about it was the wind blowing something on my regalia off kilter as I walked up to the podium and getting me so shaken up I never quite recovered during the speech.  My college one was less exciting as my sole job was to walk across the stage.  That’s probably one of the few conscious, sober moments in my life where I truly have no memory of the actual event.  I remember the rest of ceremony and there is a photo of me getting the diploma, but the moments from leaving my seat until returning have always been a blur.  Working in education for more than a decade means I’ve set through many more ceremonies either in person or while monitoring the streaming of the ceremony out to the world.  I’ve sat through some pretty good ones, some pretty dull ones, but never a really bad or really great one.

A great one would be like this one by Neil Gaiman.  It’s twenty minutes long and I’ve watched it twice times since coming across it a couple weeks ago.  It’s one of the few things on the Internet I saw and immediately felt the need to share it to everyone I knew that would care.  After a few emails to some people I knew would love it, I just posted it to Facebook and Twitter to save time for the rest.  The speech is simply amazing and I suggest you go watch it now if you’ve not seen it yet.  A few of his points stood out for me right now though:

  • Embrace your fear of failure and make peace with imposter syndrome.
  • Enjoy your work and don’t get swept up in the next thing before enjoying the present.
  • The creative landscape is in constant flux and rules change all the time. So make your own rules.

Early this year I worked with a new model.  She had more than ten years of experience  with a good history and experience.  While we shot she several times commented that she liked my lighting.  After the shoot she posted a couple of the images from the shoot to her portfolio.  I had trouble because I just couldn’t believe at heart the work was that good.  I mean I could see the photos and I liked them.  I knew they were well lit, they showed her well, and that they were good, but at some level I just couldn’t believe they were good enough to post above all the other work she had access to.

I think I have an realistic view of my skill level.  I know that I’m not great yet, but I think I occasionally approach it.  I think most of the time I’m good, often I’m really good, and occasionally I kick ass.  At the same time I’ve been fighting this feeling that I’m really just a GWC that gets lucky.  That the good work isn’t my skill, but just the amazing models I’ve been lucky enough to work with and blind luck – the photographic equivalent of the monkey that types out a Shakespearian sonnet while banging on a typewriter.  I know that’s not right, but it’s a feeling I’ve not been able to shake.  I think everyone who creates things and actually cares about their work always has moments where they wonder if they are really any good or just get lucky at times. For some reason it stuck a bit this year in my photography.  That’s imposter syndrome.

At the same time I’ve also been fighting what I can describe as the photographic version of writer’s block.  Too much I felt like I’m repeating myself and doing the same things again and again.  Or doing something I’d already done before.  Beyond that there are things I prefer not to go into even in the relative anonymity I enjoy here.  Worlds have collided a bit and the impact left a mess at times.  The damage was not the fault of malice or poor intent by anyone, but simply bad luck and things going places no one expected.  Repairs and rebuilding takes time and are still in progress

I did something I’d not done in a long time.  I stopped shooting for a while.  I scheduled nothing for most of May.  I’d had one shoot that canceled on me at the start of the month and one at the end of the month that didn’t come to pass because of the weather remnants of a tropical storm.  But for the first time really since early 2010, I intentionally did not shoot for a while.  It was partly a chance to recharge and clear the fog.  And it was partly to look at other work and just feel that fire again, the burning desire to create.  I do again.

At the end of his speech, Mr. Gaiman sums it up wonderfully.

“Go and make interesting mistakes, make amazing mistakes, make glorious and fantastic mistakes. Break rules. Leave the world more interesting for your being here. Make. Good. Art.”

In a shoot earlier this year a model pointed to an absolutely wonderful place to shoot and I didn’t do it.  Why?  A lot of perfectly valid good reasons that were all logical.  I’ve regretted it since.  The spot was wonderful and we should have shot there and would have gotten some great shots there.  A few years ago I had a model freeze while moving to a location.  It was high and exposed and truthfully a little risky.  She got part of the way up there, but couldn’t make it the rest of the way.  I’d never really known how she felt, wanting to do something with the fear winning, until after that shoot.  I’d been timid and I didn’t like it.

So that’s my hope for the near future.  Not just in my photography, but overall.  I want to try things and if they screw up, at least they will be glorious and wonderful mistakes.  They will be mistakes that I can point at and say, “That was cool to try.”  I want to enjoy my work again and feel I’m doing something interesting each time I pick up the camera.  I want to get back into a life that I enjoy being a part of in every aspect.

Around the time this posts to my blog I’ll be on an airplane heading west.  It’s my first trip out there since I’ve been serious photographer.  I’m hoping to try some work in the amazing desert landscapes and I’ve set up some thing with a few good models.  I’ve got several shoots set for after I get back from the trip.  I’m going to try some new things, experiment with some new styles, and see what happens.  I know that some of it isn’t going to work.  I know that in fact some of it is going to really and truly screw up.  It will though be interesting even when it does.  And as always a lot of the results will show up here.

Lessons From Writing a Book

Early last year I got the idea to write a short book on photographing the nude.  I got encouragement to do so from a few models that I worked with along with a few other friends.  I started on the book in April.  In mid-December, I published it as an eBook that’s available as a PDF and for the Kindle and Nook eBook readers.  With a couple months past that date, I thought I’d share a few thought on writing a book.  These aren’t really specific to my book, but more general though I wrote my book with the idea it would be self-published from the start.

It Will Take Longer Than You Think

A good bit longer.  I started planning the book in April, but really got serious about writing the book in May.  I expected that I’d be done in August, but gave myself to the end of September as a buffer.  As I’ve already noted it didn’t come out until December, a month and a half later than my worst case estimate.

I completed the first draft in late June.  I sent copies out to some friends who’d agreed to review it.  I was a bit behind my plan, but not too bad at this point.  Over July feedback came in.  I took the feedback and made my first mistake by trying to hop around and fix things as I saw them while also addressing the feedback.  I tried to do all my edits at one time.  By late July the resulting second draft was a jumbled book that didn’t flow as well as the previous draft in spite of the other improvements.  I’d added new sections that didn’t fit well.  Things didn’t flow smoothly and build from early items to more advanced topics, but skipped around.  I knew the second draft wasn’t as good as my first, but I sent a couple copies out for review again.  The feedback on this version agreed with my fears.  The most accurate comment on the book was, “it wasn’t as clear as the first.”

By now we were into the second half of August, and I faced a choice on what to do.  I wanted to write a good book and if that meant being later than I planned, so be it.  I went old school by printing out the entire book on paper and bought a red pen.  For the next month I almost always had a blue folder with me containing that printed copy and a red ink pen.  I worked on the book just about every day.  I went through the printed copy several times.  First I clarified and reorganized the sections and filled in a few gaps to tie sections together.  Then I worked to improve wording and clarity.  Finally I went through to clean up grammar and spelling.  It now had more red ink than the worst paper anyone ever turned in during English class.  It took a bit more than another week to bring those changes from red ink on paper into my actual draft in Word.  It was now the end of September, around the time I ‘d originally expected to be done at the latest.  I had a much better book, but not a perfect one.

I had to put the book down to work on other things for a few weeks.  When I got back to it, I figured out what the earliest I could have a final pass to edit completed, finish getting the quotes and photos into the book, and get the preparation to sell it completed was mid-December.  I chose December 14 because it was my birthday, and I liked the idea of the final book as a present to myself.  I then worked to make sure the book would be ready to sale on that date.  Not just the final edits, but the web site and sales locations needed to be completed by that date.

I made the last change to the book on Monday, two days before the book came out.  That literally was just about the last possible moment.  The final sales setup I completed in the wee hours of the morning of December 14 with the live sales starting later that day.  The truth is that you’ll never be completely satisfied with your work.  Like a painting or photo project, you don’t really complete it as much as you call it finished and let it go.  I still feel like I could go back and do more work on the book.  Maybe that will be second edition.

Be Flexible

The book I had in mind at the start wasn’t the book I published in the end.  Sure most of the book is what I envisioned.  Before starting I built a list of topics to cover, and as I wrote I made notes of other topics to add that arose during the writing.  Probably 1/3 of the book’s contents wasn’t in the initial plan.  It needed to be there, but I didn’t see that until I noticed it missing as I wrote.

The biggest change I made in my concept occurred in September.  From the start I’d discussed the book with several models to get ideas of the things they wish new photographers knew.  Here I started to think of not just taking the advice, but quoting them directly in the book.  In the end I was able to work in comments from several models that I interviewed and quoted for the eBook.  I really think these quotes are one of the strengths of the book.

Get Help

Even with a self-published book you can’t do it all.  My best decision was to get a few people I trusted to give me feedback early on.  You need people who like you enough to be honest and not just tell you everything’s great.  I had three people who read the first two drafts and all provided feedback that led to a better book.  It was sometimes blunt, but that’s what I needed.  Like a photo you like because you remember the fun during the shoot and not the photo itself, you will fall in love with your own words.  It takes a lot of time to write a book and it becomes a part of you.  Getting someone else to look at your work, who doesn’t have that investment, and will give you honest and constructive feedback is vital.

The positive feedback also helps you keep going when frustration and aggravation set in.  Even a simple comment like, “I knew you could do this,” can help a lot.

Also know your limitations.  My design skills are okay.  I can put together a pretty good design given time (a good bit of my life has been spent building web sites), but I’m not quick at it.  So I hired someone to create a cover for the book.  That was the best money I spent on the book.  In the end I had to look at costs compared to benefits.  A cover was worth a little investment.  I would liked to have had a good copyeditor, but just couldn’t justify the cost.

It Will Suck Your Time

There were a few periods where it felt like I only went to work, worked on the book, and slept.  Social life?  Not as much.  Downtime?  Not as much.  Writing the book turned out to require a major commitment of time, and that time had to come from somewhere.  I turned down lunch invitations because I needed to spend that hour editing or writing.  I didn’t become a hermit or cast aside the rest of the world, but I had to make decisions on what I would do.  Sometimes I chose to go grab dinner with a friend, but other times I had to stay home and work.  If you’re ever went to college part-time, it’s much the same set of tradeoffs.  You have to balance what you want to do with what you have to do.  Sometimes the book had to come first, but at least twice I set the book aside for more than a week as other things in my life needed the attention.

Writing the Book Is Only One Part

What I screwed up more than anything was marketing for the book.  I put up a very simple site for the book during the summer.  It had a just a few words on the topic and a copy of a cover that I’d put together in about ten minutes (see above), but little else.  No sample text from the book, no photos from the book, no updates on the book.  In fact I didn’t update the site again until late November, a few weeks before the book was available.  In fact the book might as well have not existed as far as most of the world knew until about mid-November when I posted it here on my blog.  Next time I’ll have a cover designed as soon as I wrapped up the first draft and use the cover to build a web site that tied into the book and have it out there several months before the publish date.

One marketing thing I did right was my mailing list.  Before the book was available I had a place where people could sign up to be notified about the book.  A couple weeks before I started sending out info and updates.  On the day the book came out I sent out a message to everyone on the list letting them know.  I got a very good response and the majority of people who got the email ended up buying the book.

It’s not the Field of Dreams.  Just because you write a book, doesn’t mean people will come and buy it.  That’s the challenge I’m facing now, simply getting people to be aware of the book.

You Will Learn as Much as You Teach

I didn’t right a book to get rich.  I wrote it in hopes I could help other people learn.  What surprised me is how much I learned while writing the book.  It’s one thing to do something, but it requires more thought to describe to someone else how you do it.  It’s one thing to build rapport with a model, but another to explain how I do it for someone else.  It’s one thing to plan a shoot, but another to describe the process.

By writing the book I had to think about how I did things.  In some cases I liked the process and put it down.  In others case I realized places I could do things better.  I adapted.  Just by having to think about what I do, I had to evaluate it.  I think that doing this means I’m a better photographer than before I started the book.

I May Just Do it Again

So after more than six months of work, and so many hours that I really don’t want to know, I’d do it again knowing what would be involved.  Not only that, but I’m thinking about doing it again.  I have two ideas in mind and once I get a little more time behind me, I may just tackle one of them and start on the next book.

The Longest Yard Sale

 

I’ve travelled to the World’s Longest Yard Sale off and on since the mid 1990’s.  I went to college in a town close to the trail which now runs along US 127 from southern Michigan down through Tennessee and then on different roads through Georgia and Alabama.  It now takes place the first weekend in August and you get four days where 675 miles of flea markets, garage sales, and yard sales appear.  Just about any business near the route dedicated to selling cheap junk goes all out for the weekend.

When I first started going, the sale took place in mid-August and provided a way to get cheap items to fill out the dorm or apartment in college while getting back together with friends not seen during the summer.  After graduation a few of us continued the trend, but now it’s down to me and a long time friend from college.   The weekend now functions as a chance to catch up for a couple days as for buying cheap junk.

 

This year’s trip marked the first year I’ve been able to go and seriously working in photography as last year I didn’t get to go and the year before I was on my photo sabbatical.  I knew going in that I’d be looking for props and wardrobe along the way.  We managed to travel from the north end in Hudson, Michigan down into central Kentucky over three days this year.  Following the trail forces you off the Interstates and through small towns and communities like West Unity, OH and Danville, KY I’d probably otherwise never see.  You come across the routine and the bizarre along the way.  The traditional sits side by side with the new like the construction of windmills in fields of corn and soybeans.

Overall I found some success picking up some items for wardrobe and props.  On wardrobe I focused mostly on general items that would work with many models or I’d found more.  I also found many people were a little too attached to their stuff, or at least more attached than I.  I really like the things I came home with and look forward to working them into some coming shoots.

I intentionally didn’t take my camera on the trip, though I ended up buying a film SLR during it, because I knew I wouldn’t have time for shoots and would be on the go so much I didn’t need something else to keep track of.  Still my iPhone provides a few interesting images from the trip.

Ten Days on the Road

Bree Addams on a BridgeI’ve not been able to shoot much of late.  I’ve been travelling most of the last couple weeks for either work or fun with no time to shoot along the way.  Two separate trips to Nashville and then a long road trip that stretched from Michigan to North Carolina.  Just about every day began with getting up early before I was on the go all day and ending by going to bed late.  The next day I’d repeat.  I think I’ve had a taste of the life of some of the travelling models that I work with.  Enjoyed the chance to see a lot of friends I don’t get to see that often along the way and spend a few days with a friend since college.

Over the weekend I did get a chance to do some flea market and yard sale shopping where I picked up some props for coming shoots.  Along with the usual hats, coats, and belts I also ran into a great price on a Canon AE-1 film SLR with lenses and flash.  Not looking to get into shooting film at the moment, but that might make a nice winter project when outdoor shooting goes away for a few months.  Already have a plan to use the camera in a shoot later this week.  Also have a shoot coming up on Sunday along with a couple last month to catch up on so expect more posts soon.

Speaking of outdoor shoots above is an interesting photos from a shoot with Bree Addams right before I started travelling.  Posting with very little processing to show the interesting lighting effect on her at that moment.  It almost looks like I’ve pasted her into the photo, but that’s how it came out of the camera.