The New Beginning

History is much easier to write in the past tense. Sounds obvious, but I mean that events that leave a mark often do not seem so until reflected upon after the fact. I left off in yesterday’s post at what turned out to be a turning point for me, though I didn’t know it at the time. As the middle of March 2010 arrived I knew I was really frustrated after dealing with some personal issues and  a lot of canceled or flaked shoots over the last months. So these three shoots The first of those three ended up postponing until the following Sunday putting all three shots over the course of a single week. That week turned out to be a large step into my current photography.

First of the three came Ms. Rebel, a fairly local model out of Knoxville. It’s the only time we worked together and honestly it wasn’t my most inspired shoot since I was coming off such a long gap. If I’m honest I don’t think I really expected her to show up until I got a text from her that morning that she was on her way. I hadn’t planned a lot for the shoot, and didn’t have a great plan before she arrived. I played it by ear and was nowhere as good at that as I am now. Overall though we had a good shoot. Working with her helped me get back into the routine and thought process before my later shoots that week. The photo below is of her amazing seascape chest tattoo. It’s still one of the best works that I’ve seen.

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Originally I had two shoots scheduled for the late in the week, one on Thursday and the second on Friday. A week or so before the shoots the Thursday model asked to move our shoot to Saturday, which turned out to work better for me so I ended up with Friday and Saturday shoots.

The Friday shoot came with Laura New. We headed to a place that’s become one of my favorite shooting locations over time. I’d hiked there a time or two, and the thoughts of the locations to photograph held great possibilities in the late winter/early spring transition. Having not shot nudes outside before, we began with some work with her in a white dress. The photo below of Laura on a rock next to a small rapid was my favorite of the shoot and a print of photo hung on my wall for a time.

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Laura was really the first time I’d photographed a model outdoors for a lengthy period of time. We got a lot of good images that day. It was early enough that while some green showed,much of the bare winter landscape still prevailed. In spots there was a lush green carpet of plant life, but feet away would have passed for mid winter. Another shot I like from this shoot is this one of her posed on a tall rock. You can see some greenery jsut behind the rock, but the trees in the background are still bare.

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The shoot made for a long day, but a good learning experience. I learned on the fly to balance the changing natural light and a model both in outfits and nude. We worked in a number of locations, each a little different. Not all went well. We were caught by onlookers once with her nude, and almost caught several other times. As it ended I walked away happy with the images and feeling I’d learned a lot in a short period of time.

I also remember being completely exhausted and sore when getting back home at the end of the day. I’d started hiking the year before, but done little over the winter undoing much of that gain of endurance. I spent much of the coming summer slowly getting back into some shape. Now I do longer hikes than that day carrying more weight just to unwind after a hard week. You can also read a post written nearer the shoot along with a second with more photos.

Saturday came the last of these three shoots with Melissa Troutt. I’d worked with her once several years before when I just started out. After she arrived  we had a wonderful artistic click almost from the start. She seemed to understand what I had in mind and how to help get there. We did a little indoor work before heading out to a location because of concerns about the weather. After the day before, I chose a less ambitious hike for this shoot. We made a short though slightly strenuous trail that ended with of a wonderful waterfall. We got to the waterfall, but started in the area around it. This early photo from that day still is one of my favorite photos that I’ve taken of Melissa.

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I love the expression and pose of her on the log. I remember enjoying the way she got involved in the shoot, not just reacting, but looking for ways to make better photos. We only worked the one spot around the falls, but there was plenty of variety for a long shoot. We didn’t end until we were stumbled across by some surprised onlookers. Again no problem, but with that and the lowering light deep in these woods, we did wrap up the shoot. The biggest lesson of the two days I learned the lesson to be more careful in the future was learned.

Another shot of her on the falls itself. Posts and photos posted nearer to the shoot can be found here and here.

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The experiences reworked my thoughts on photography. I felt energized and ready to work harder to get better. This blog began to become more active after those shoots. I still had a number of flakes and cancellations over the next months, but more good shoots. Somewhere along the way I began to feel like I had an idea of what I was doing and began to wnat more. I already could produce good photos with models as experienced and talented and Laura and Melissa, but began to get better results with everyone. In retrospect I think that the end of 2009 and early 2010 was a dip, a sort of plateau I had to get across to get better and start getting the results I wanted. Thanks to Ms. Rebel, Laua, and Melissa, I did get there to where I couldn’t imagine the last few years without photography.

This was the only time I worked with both Ms. Rebel and Laura New. Ms. Rebel appears to no longer model. Laura still works, but I think no longer does nude work like that here. Melissa and I have worked together many times since this shoot, and I’ve come to see her as both a muse and a friend.

Tomorrow to wrap up this week I’m going to take a look a bit further back to 2006 and one of the first real shoots I had with professional models and wrap up this little series.

Bad Decision, Good Photos

A common theme in my posts on my August shoots with Hannah and Monica, Bree, Viktoria in August was the threat of rain. I drove home from the first two of those three in fairly heavy rain pretty soon after leaving the shoots. The weather hadn’t been my friend early this year, but since May had been more cooperative. On the last day of August that cooperation ended.

For the last day of the month I had a shoot with Melinda planned in the mountains. As the shoot neared, the forecast wasn’t promising. That morning the forecast threatened rain and storms early, but the chance of precipitation dropped after noon. Melinda and I texted that that morning and felt comfortable enough to meet a bit later than originally planned and headed up to the location. The sky when we met contained only scattered clouds, but nothing to hint at the weather to come. The drive held a little more cloudy weather, but again nothing to make us rethink the decision until when we arrived there.

I spend enough time outdoors that I have developed a decent feel for the weather, at least the short term weather. Looking at the sky then my instinct told me that it was likely to rain. Probably nothing more than a light shower or drizzle, but there was a real chance of something heavier. The light rumble of thunder as we headed in were almost like a final warning of nature of what it had in store. I didn’t listen to that experience.

Why? A mix of things. I’d wanted to shoot this spot for a long time. I’d found it more than a year before, but hadn’t been able to get the right combination of the right model, time to go there, and warm enough weather all at the same time until this day. I already had a lot of drive and preparation time invested in the shoot when we parked the car. I didn’t want to walk away after getting here, and in a rare case I really didn’t have a location for a plan B.

It was a long hike from our parking spot and not an easy hike with a lot of elevation change, not the kind of trip to take in iffy weather. The first spot I had in mind lay about a mile and a half and nearly 1,000 feet of climbing away. The second was another half mile further. We headed in feeling a lot more optimistic than I should have.

We’d made it just more than a mile up when I realized the decision was a poor one. I knew we were going to get more than a sprinkle, but still didn’t know what lay in store. The nearest shelter was closer than going back, so we pressed on. As the light rain began, I pulled out the rain jacket I always carry since getting caught in a storm last summer and gave Melinda a second jacket that I’d brought.

I had prepared for the chance of rain. I had the jackets I noted and even extra clothes back in the car. I wasn’t prepared for the storm the rain quickly turned into. We sheltered under some pines for a time, until it was clear that the rain was going to be long and too hard for the foliage to provide protection. I’ve been caught a few times in storms while shooting. A shoot last summer and my first shoot with Hannah Perez several years ago. The rain at the shoot last summer was intense, but we were near the car when it hit and out of the rain in a few minutes. Hannah and I were on our way out when we were caught in the storm, but still endured a long and drenching walk. In both of those other shoots we’d been left soaked, but heading out after the shoot was done.

Here I was better prepared than at either of the other times with a good rain jacket and a jacket for Melinda.

It didn’t help.

I won’t say I’ve never seen a heavier rain, but it felt worse than anything I remember being caught in. Not just the rain, but the lightning just a little too close for comfort and being out there with nowhere to really go. Melinda and I had probably fifteen minutes of walking to the nearest shelter in the best of weather. As we climbed the trails filled with runoff from the downpour to the point it felt like wading a creek. My rain gear did a decent job of keeping my head and shirt dry, but I quickly became soaked from the waist down. Melinda also got soaked, but kept her hair somewhat dry and I’m surprised she kept as dry as she did.

After the miserable hike in the rain we arrived at a shelter happy just to be out of the rain. It looked empty when we arrived and no one answered when I called out a few times. We stripped off our soaked clothes to try to wring them out, let some dry, and regain at least some level of comfort while waiting out the rain. Really nothing to make a lasting impression when working with a model the first time like getting caught in a storm and stripping down to get dried out. Adding to the fun it turned out we weren’t quite alone as thought. Another couple had taken shelter before the rain, but were in another part of the shelter and apparently couldn’t here me over the rain. They saw a bit more than they probably expected that day.

Doing outdoor work relies on being able to adapt to changes quickly. Before we’d even taken the first photos, it was perhaps the least cooperative weather I’d seen. So while the rain continued I evaluated what we had. These summer storms can be intense, but rarely last long meaning we’d likely be clear in a half hour or so. Checking her outfits we found a fortunate break in that the dress we’d planned to work with remained dry. I’d planned to shoot around the spot we’d taken shelter. So Melinda got into the dress and we did our first work using the wall along the shelter. I’d brought a small flash and soft box with me in case I decided to shoot here which gave me the ability to produce some decent light. I’m actually pretty happy with how the photos came out.

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Melinda

Melinda’s hair was straight before we had started the trip which tells you all you need to know about the effect of the weather.

The rain had stopped while we shot there. Behind it left a slightly cool temperature, especially when your clothes are still damp, and fog. Lots of fog. I hadn’t planned for rain and can’t really say it helped anything, but the fog I could find an advantage in. I’d actually had some thoughts of shooting in fog before, but here deep in the woods after a rain with fog felt like an idea I could work with.

We headed out to a second location, moving further from the vehicle as the storm had lifted to reveal the weather we’d expected going into the shoot. I’d found a spot with an old chimney, all left of some forgotten cabin, and had the idea of it as a sort of gate. I’d played a bit with the idea of a gate guardian with Hannah and Monica in some photos, but here the fog could work to enhance the effect with Melinda as the guardian of some deep forest gateway.  The fog really shows in the second of these two.

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Melinda

I’m very happy with the photos. While not what I’d planned starting the day, they came out very nice. The shelter worked well with Melinda’s glamour after splashed by rain look. And I loved the foggy location with that old chimney. Melinda was wonderful to work with and rolled with the punches the weather threw at us. I’m hoping to work again with her soon.

Viktoria at the Falls – The Falls Two

The third shoot of my experiment with working with multiple models at the same location came with Viktoria, a professional trained ballet dancer. This shoot contained an interesting shift taking place only a few days after the shoot with Bree in the same location. I mentioned that I’d driven home from the shoot with Bree in a pretty good rain, but in fact it rained much of the time between the two shoots. In fact Viktoria and I changed plans the morning of the shoot planning to shoot inside because of the threat of weather. Thankfully the forecast improved at the last minute and we were able to go back to our original plan of shooting in this location.

Part of my desire to upgrade cameras late last year came for shoots like this. We were meeting late and in cloudy weather to shoot in deep woods. There’s little chance my previous camera could have handled the ISO needed here and not introduced too much noise. The rain also meant that any attempt to shoot in the falls would be out of the question. The water flow was too high to put anyone into so we focused on the landscape around the falls.

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While Viktoria couldn’t get into the falls, it still worked as a nice set to pose her against.

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We also did some light painting work late in the shoot in that meadow I mentioned.

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Viktoria also posted a few photos from the shoot on her Tumblr.

See more photos from this shoot

The Falls One – With Bree Addams

As I put together my schedule for August I found that I’d be working in western North Carolina a lot that month. That’s not unusual, but I’d worked a lot less there than normal this summer for several reasons. I had the idea to try a bit of an experiment and schedule several shoots to overlap in locations. I had two spots in mind in particular that I wanted to explore the differences I could get in the same spot, but varying the time of day, model, and just the natural evolution of the landscape over the course of a month. The first is a waterfall location that’s a favorite of mine and the second is an open meadow in the same area.

In the end I set up three shoots among four models. The middle of the three shoots took place with Bree Addams. It’s the first time we’ve gotten the chance to work together in a couple years. Enjoyed the chance to work together and love her dedication and willingness to go well beyond to get these shots. The weather was cooperative for the most part. While it drizzled a bit on us, no real rain fell during the shoot. The weather made up for it in my drive back to Tennessee that night in a near steady and at times heavy rain.

First some shots at the falls. Love the nice shaping on the first photo of her.

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I mentioned Bree is willing to put herself out there for the shot right? The water was moving pretty good at the falls and she still got into it for some shots like this one.

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And the meadow? Actually for this photo I’m standing in the meadow shooting back toward her.

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Want to see more from this shoot? Then check out Uncovered Visions.

Moon from a Fairy Tale

These are from working with Xlcr Moon back in late July. The odd weather of this summer continues, but this marked the start of a turn around in my luck when it came to the weather. After being rained out much of the spring and Murphy’s Law winning in Arizona, this shoot marked the start of a run of close calls, but successful outdoor work.

There’s something about this location that often brings me to mind of fairy tale shoots. I think it’s a combination of the outstanding greenery there this time of year, the beautiful streams that flow through the area, and the wonderful rocks and boulders that are scattered around. I’ve shot here probably more than any other location over the last four years and I doubt most could tell photos taken yards apart. These photos are from a spot there I’d not actually used in a couple years and like how they came out. The white dress and bright green I think give it that fairy tell look here.

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Snakes … Why Did There Have to Be…

Okay so the title gives away the ending, but there are photos so indulge me. My plan for June included a trip to Arizona. Let’s just say almost nothing went according to plan. In fact I’d go as far as to say it would be hard to describe the trip without using the word “cluster.”

In spite of the problems I did have the chance to work in a few nice shoots. Near the end of my time in Phoenix I had the chance to work with Leanne, a wonderful model suggested by a friend. We’d planned a shoot in the desert outside the city. Everything went perfectly at first. It was hot, about 110 that day as I recall, but we’d scheduled the late afternoon past the worst of the day’s heat. We headed to the location and started to work right before the good golden light of sunset moved in.

The first shooting location went well. We found a nice rock formation near the top edge of a small canyon. The timing worked perfectly since we arrived as the sun started to set providing that wonderful golden light. This image comes from that first area and is probably my favorite of the outdoor images of the day.

Leanne

We next moved to a new spot and worked for a few minutes. The sun really started getting a nice glow at this point leading to these two images.

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 Leanne

Perhaps a minute after the second of those two images, I looked down before moving to my left to reposition. It’s a habit I’ve developed in years of outdoor shooting on occasionally iffy terrain. It also is something I’d drilled in while planning for some backpacking in the desert that had been planned to be careful where you put your foot or hand for any of the less desirable desert residents that might be around.

As you probably guessed from the title, in this case it was a very good thing. When I looked in the direction I’d planned to move I saw a rattlesnake coiled up about three feet away (a speckled rattlesnake to be exact). No rattle or threatening stance, but just the reptile trying to blend in and not be seen. I froze, told Leanne not to move either, and then very slowly move to a safer distance before more quickly moving much further away. Once out of danger we gathered our things and left the area to our new little friend.

I’m not overly fond of snakes, in fact I’d go as far as to say I have a phobia of them. Leanne also didn’t seem eager to continue working in the area after the encounter so that ended the outdoor shooting for the day. We did some more work indoors later, but those will come another time. The lesson here is to be aware of your surroundings when shooting outdoors. The snake was camouflaged very well against the rock and had I not taken the time to distinctly look around I would have moved directly toward him in my next step. Instead all escaped unharmed.

I have to say though, worst shoot crasher ever.

Keira and the Falls

Working with models that are travelling through the area always requires some flexibility.  Plans change due to everything from the weather to cancelations to transportation problems.  In spite of the best efforts of all involved sometimes things fall through.  A little luck always helps though.  Keira Grant and I had a shoot scheduled in late July, but her plans got thrown into chaos by some transport problems.  Luckily I had a few shoots already scheduled in Asheville the same time she was near the city and we were able to connect.  First part of the shoot we worked around a waterfall that I’d found earlier in the summer.  I love this location, so much that I kind of worry about overusing it.  The distance should help with that though and this is only the second time I worked there.  As always Keira does wonderful work.

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Keira Grant at the Falls 2

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Melissa in the Waterfall

The trip out west left me re-energized for photograph like I’d not been in a while.  I’d taken a break from shooting for several weeks including all of May as I’d mentioned in an earlier post.  When I started back with the shoot with Ginger I just felt more into the shoots, more engaged with the models I collaborated with, and clearer on what I wanted to accomplish at each shoot.  One part of this was a willingness to try some things and work without a plan as much.  Generally before an outdoor shoot I’ll scout the location several times to establish locations and spots.  I found myself more open now to just going out and seeing what we came across in the process.  It’s not something I would do with any model, but there are ones that I know it would work.

That’s how Melissa Troutt and I found ourselves exploring a new location on a hot day in late June.  These were the worst days of a heat wave in the south with temperatures setting daily record highs.  This day would be one of the hottest reaching around 105 degrees at my home.  Even in the western North Carolina mountains around 3,000 feet temperatures climbed well into the 80s.  That elevation and the wood cover probably cooled it at least ten degrees over Asheville.

Our first spot was a nice wooden bridge where I got a wonderful headshot of Melissa.

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Our first exploration from here came to a bit of a dead end, but still found photo I liked in a bit of a dreamy style.

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And then we found one of the best waterfalls that I’ve come across in the area.  It’s a wonderful private location and surprisingly easy to get to once you know it’s there.  We did a few photos around the falls

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Then Melissa braved the cold water for some simply amazing shots in the flow itself.  Her willingness to endure the cold water to get shots like these is part of what makes her such a joy to work with.

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