Paper Masks–From Idea to Photos

Where do ideas come from?  In my book I discuss this some, but overall I find my ideas come from combining other elements in (what I hope are) new and interesting ways.  This shoot began when I decided to go out on a cold night in early January.  I was sitting in a bar and the video for “Du Hast” by Rammstein came on the TVs across the room.  I hadn’t seen the video or heard the song in several years, but in spite of barely being able to hear the song over the crowd it pulled me in.  In the video several members of the band greet a man while wearing masks cut off below the nose.  From the camera’s view these mask wearers get menacing later in the video.  I’ve seen the video a number of times, a friend loved the band and played them a lot, but something about those masks stuck with me this time.  They reminded me of Venetian masks, but aren’t quite those. 

I’d recently had being honest with someone backfire.  This left my mental state primed to think about masks and the way we often hide parts of ourselves from others and why we do so.  Being surrounded by couples enjoying a night out, people looking for love, people looking for lust, and people just looking to forget had the ideas of the various social faces we put on in mind.  The ideas of social masks came together with seeing those actual masks in the video and the idea came to me.  I excitedly described the idea to someone a few minutes later.  She didn’t share my excitement.  The idea I had was to take a photo of someone and use it as a mask.  In effect to mask someone using their own photo.

I first experimented with the idea a couple days later at the end of a shoot with Sarah.  I started basic here by taking a photo of the model’s face and then making a life sized print.  Then I had her wear the photo while taking other photos.  The results showed the idea worth playing with.

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So in a mid January shoot with Hannah Perez I worked on the idea more fully.  Instead of just using her face, I decided to take photos of much of her upper body and mix and match the photos on her to get different effects.  I photographed several body parts in different levels of zooms.  The difficult part came from trying to get the photos close to life size.  I didn’t want them exactly right as I wanted the body parts to be a bit smaller or larger than reality, but wanted them close to the real size.  It took some trial and error (and even getting out a tape measure to measure sizes) to get what I wanted.  We tried a few different combinations including taping the photos to Hannah while she knelt along with resting then on her as she laid down.

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Overall I’m happy with the results and have some ideas to explore this concept some more later on.

April in February

No I’m not confused on the calendar again, but recently worked with a new local model April.  She’s still starting out, but did very well in our first shoot together last weekend.  Looking forward to getting her back in front of the camera outside in a couple months when spring arrives.

April Naomi

April Naomi

April Naomi

Fall 2011–The First of the Rest

The first of two final posts to highlight a few last photos from the last three months of 2011 that I want to share.  These didn’t easily fit into the categories of my other posts.  First a few of Charlie Kristine from November.

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And now a few of Kerri Taylor from December.

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First a few other photos from shoots with Melissa Troutt in October and December.

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Fall 2011 Continues–In the Boudoir

In 2011 I focused mostly on shooting outdoor and artistic nude styled work.  I did work in glamour a couple times this fall while shooting with Charlie Kristine and Brynn Cook.  Boudoir is my favorite glamour style.  Whether or not nudity is in the photo, boudoir focuses on allure and seduction.  Sexuality is present, but subtle instead of in your face.  It’s a whispered promise, not an overt request.  I find it feels more flirty and real compared to most glamour which tends toward exaggeration and fantasy.

In the November shoot with Charlie I primarily worked on the idea of her with a man’s dress shirt and tie for our boudoir set.  Charlie again does a wonderful job looking sexy and alluring.  I’m not sure what it is about a beautiful woman wearing a man’s dress shirt and nothing else that just screams sexy, but Charlie pulls it off well.

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We also played with a few poses using the tie with a bit of a kinkier edge.  I like these in black and white.

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During my shoot with Brynn, we also explored some boudoir photos.  One of these I put in my Best of 2011 post and I won’t repeat here.  But a few others I especially liked from the shoot.  The first I think approaches the erotic, but still leaves more to the imagination than it reveals.

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Another few from the shoot playing with the perspective.  Looking down on the model from above adds an interesting element of intimacy to the photo.  It looks more that you’re looking down at the subject while above her, a perspective with obvious implications in the boudoir.

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Fall 2011 Continued – Water

One of my goals for November and December was to try to experiment with some new concepts and ideas.  I already posted about some work with the Japanese lanterns, but there were other concepts.  Another idea I wanted to work with included water indoors.

Most of my outdoor shoots are located near streams, lakes, or rivers because I enjoy combining the nude with water.  If we shoot, and the temperatures are warm enough (or even close to warm enough), then expect you’ll likely end up wet by the end.  Of course that only works for those months a model can comfortably pose in the water.  Even if the air is warm, the water coming down mountain streams can be much colder.  Really it seems that May through October seems to mark the limits with the first and last of those months being iffy.  For instance I worked with Keira outside on a comfortable day at the end of September on a day, but saw snow the next day.  I got in two outdoor shoots in October thanks to nice temperatures and luck.  Still in all three shoots there were limits to the amount of time I could get the models into the water due to the cooler air.

So, I’ve begun to explore working with water inside.  Again as with the first shoot with the Japanese lanterns, these are more experimenting with a concept than a refined idea.  First I tried shooting by dribbling water on a model.  Charlie Kristine did some nice work with this one as I subjected her to something a little too close to water torture.  I did get a few good images, but realized I’d need to go somewhere else to get the results I hoped.  And the table in the photo was not harmed creating this photo.

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Next I worked with Rachel Dashae for the first time and we did some work on the idea.  Here I put her into my shower.  Lighting the tiny bathroom proved to be quite a challenge, but again I was able to produce some results I liked.

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Last model I worked with this idea on was Xlcr Moon.  She brought the wonderful, and in retrospect obvious, idea of using oil to help bead the water on her body.  The results completed more what I’d been looking for in these shoots and this photo shows I think the best example of the concept.

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Catching up on Fall 2011 Continued–The White Light

In late November I walked into the town’s Pier 1 with the plan to buy a Japanese lantern.  I’d had the idea to shoot using once since seeing one at a friend’s home during the summer.  By luck I walked in right in the middle of a huge clearance sale on the lanterns.  So instead of leaving with one or two as I’d planned,  I left with about ten lanterns in various sizes from a huge sixteen inch to a few small four inch lanterns.

Nyxon got to be my first test subject as we shot together a few days later.  Lighting with the lantern turned out to a little tricky.  It puts out a small amount of light so it requires a very still model and longer exposures to get the effect I wanted.  Still putting the camera on a tripod allowed me to get a few interesting shots such as this multiple expose of Nyxon.  As before, Nyxon was a joy to work with given the experimental nature of this shoot along with some fake snow I’ll be posting more about later.

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Second shoot using the lanterns came during my shoot with Kerri Taylor.  Kerri and I had discussed shoots a few times before, but this was the first time we’d been able to connect.  Really enjoyed working with her, and she did well for the lantern portion of our shoot.  As always having done this once I was able to try some more interesting things with Kerri trying to take advantages of the strengths of the lighting.  I especially like the first one below where she’s looking up into the lantern.

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My third time working with the lantern came in a shoot with Melissa Troutt later in December.  Here I felt more open to trying some new ideas and playing with some new poses.  Here the idea was to pull more into her interacting with the lantern.  As always, Melissa did great work yielding the photos below.

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Overall I like the lantern.  The light is a bit harder than I’d expected, but I have some ideas to go from here.  I have an LED bulb that can do some color options that I think will be interesting to pair with this.  I also plan to explore adding in more lanterns.

The Fall and Winter 2011 Continued – The Erotic Nude

Continuing to catch up on shoots I didn’t cover in the last few months of 2011.  I’m developing a renewed interest in the erotic nude.  I’ve shot erotic in the past, but focused more on outdoor and artistic nudes much of the year.  In August I did my first erotic focused shoot in a while with Hannah and Jordana.  I’ve worked with Hannah several times before, but this was the first time I’d worked with Jordana.  The two models have worked together before and that comfort shows in their photos.  A few wonderful sensual images from the shoot.  Nothing fancy here, just playing with the erotic with two female models.  You can probably tell I’m a big fan of the sensuality of eye contact.

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Had an erotic shoot scheduled for today, but unfortunately she got sick and canceled.  So this is the only erotic for now.  Still I expect I’ll be exploring the idea a bit more in the future.

Catching up on Fall Shoots – The Last Outdoor Shoots of the Year

I’ve not posted on a shoot since Keira Grant at the end of September.  Most of my writing time since then was devoted to my eBook.  So now I can actually go back and catch up on those shoots.  Instead of going through them by time or by model, I’m going to go by theme.

So first I’ll share a few images from my final two outdoor shoots of the year.  I met Melissa Troutt in mid October to work on an outdoor shoot in a nice later October day.  Weather was a little cool, but not bad for shooting outdoors.  In fact it was so nice that everyone seemed to be out that day.  We had trouble finding a spot with the isolation to shoot nudes as everyone seemed to be outside enjoying the beautiful late fall day.  We did a few shots at one amazing spot were Melissa posed in some trees over a stream, but it was just a little too exposed.  We finally ended up in a nice valley with some interesting rocks and overhangs for most of our shoot.  We were at higher elevations so there were plenty of leaves already on the ground, but still a lot on the trees.  Made for some nice mix of posing her among the leaves and still putting nice greenery around her.  Some wonderful shots from the day.

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My last fall shoot of the year came with Adrina Lynn.  Last fall she and I had tried an outdoor nude shoot in November, but it was just too damn cold that day.  We gave up after less than an hour.  The lesson learned for me was valuable though in that I’ve learned to be much more careful about the weather.  When Adrina came through in late October we had cool, but usable weather.  We got an early start on a cool October morning and the two of us headed out to a new location.  We worked further up the same stream and trails where I shot with Melissa, Keira, and Hannah back in June.  I hadn’t scouted most of the area so it was a nice exploration along with the shoot.  It turned out to be a very nice and isolated spot where we had time to really work.  The water was too cold to get her in, but we could work along the rocks and trees around the water.  Adrina really enjoyed the sun that day though as you can in the photos.

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One last photo of Adrina, more a peek behind the scenes.  Here you can see the big, happy smile on her face as I sat down in a puddle of water.  Think of it as model’s revenge.

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September Shoot with Keira

As September turns to October here, outdoor shoots become a bit more rare.  It’s not that the weather isn’t still warm, it’s that it becomes unpredictable.  Cool days become more common, the streams and waterfalls become colder, and damp, rainy days become more common.  As October passes by I usually try to work in a few last shoots as the weather allows and this October I was fortunate that the weather cooperated on three shoots.  First up I shot with Keira Grant on the last day of September on a bit chilly, but very workable day.  Just to show how varied the weather can be this time of year the same area saw snow flurries the next night.

We started a bit later than I’d hoped because of a delay on my part, but the weather cooperated and we had great light for the shoot.  Keira and I worked in an area I’ve shot several times over the last couple of years.  While it’s one of my favorites, I feel that I’m going to take a break from shooting there for a while.  I think I’ve shot there too many times in the last two years and feel some time away will let me come back with fresher eyes perhaps late next year.

The best feature of this area is a wonderful waterfall along with a huge rock formation that provides many nooks and crevices for shooting which Keria took full advantage of.  An unexpected find was a tree that had fallen over during the summer and provided a new location.  It made for along and productive day of shooting.  My only disappointment came in the amazingly low water levels.  The streams around falls were lower than I’ve ever seen it in the three years I’ve been going there for hiking and photography.  Still some wonderful stuff and some examples below.

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Keira on a Log

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Multiple Exposures

Melissa on Both Sides of the LensEarly this year I decided to play around with the idea of multiple exposures.  The idea is to take several images of the same scene moving the model (or really anything in the photo, but with me it’s going to be a model) and then combining them into a single photo.  I first tried this in a shoot with Nyxon early this year (other photo from shoot here).  I made some mistakes that meant I never could get the results that I wanted from the shoots, but learned a lot to help the next time I tried the idea.

The warm weather started pulling me outdoors and I never got back to the idea and had decided to look at again when cooler weather returned.  Then in early August Melissa Troutt and I discussed doing a shoot around exposures and met up in mid August to do that.  Definitely felt that I’d learned from that first try and the results were much better this time.  I’d purchased a film SLR earlier in the month so for part of the shoot we played around with the concept of the model photographing herself.  I still learned some things that I’ll work next time I play with this idea this coming weekend, but this time got some great images out of the shoot.

Taking a Self PortraitA couple photos form the shoot.  Some other photos from the same shoot, but a different concept coming soon.