Work with Jessi June

I resisted the urge to come up with a month pun here since I used one last time I worked with Jessi. Winter weather has been rough this year, but finally spring seems to be winning out over the lingering cold weather. Not so much when I worked with Jessi in Nashville back in early March. I headed to Nashville for a couple days for a few shoots and to catch a Nashville Predators game (they lost unfortunately). My last shoot came with Jessi who I’d not worked with since last summer.

Jessi June 

The weather had been rather cold the night before. Walking back to my car after the hockey game in a brisk, cold wind the night before wasn’t fun. I woke in the morning to the oddest weather. The temperatures hovered right at freezing in the early morning with patchy fog around the city. While driving to meet Jessi, I saw several places where the fog had frozen onto the trees. The result made a number of beautiful wintry scenes. Because of traffic I never found a good spot I could stop and get a photo unfortunately.

Jessi June

Eventually though I made it to the shoot. While we didn’t have long to work together because of time constraints, Jessi as always is wonderful and it doesn’t take long to get great work with her as you can see from these photos from our shoot. As I left the temperatures had warmed up just a bit. One tree that had been coated in ice when I’d arrived now had those same ice chunks falling off covering the ground like hail. Winter hadn’t left yet, but at least it’s grip was loosening. Later this week I should have my first outdoor shoot of the year in a week that feels very spring like at last.

As always more from the shoot available on the members site at http://members.candidvision.com/2014/03/26/gallery-jessi-june-winter-2014/.

More with Melissa Jean

At the end of the shoot with Melissa Jean we tried something with some cloth that had caught my eye in the studio. There’s an assistance off screen blowing air at Melissa giving the movement here in her hair and the cloth. I like the way this cloth catches light in these photos and it’s already inspired another concept I hope to work in soon. For now here’s a few more from that shoot.

Melissa-Jean-2013-11-03-52 Melissa-Jean-2013-11-03-55

Melissa-Jean-2013-11-03-56

Again you can see more of these and others with Melissa in the members area.

Looking Back and Looking Forward – 1

As we prepare to celebrate the passage of one completely arbitrary division of time to another this week, there’s a seemingly natural call for reflection or at least looking back. I’ve not been immune over these last days. I’ll not be sad to see 2013 fade into the rear view mirror. I can think of no year as full of frustrations as 2013. There were moments of fun and happiness of course and I’ll speak to those tomorrow. But there were parts of 2013, especially the spring and summer months, that challenged and placed me under some of the worst stress and pressure I’ve faced. It often wasn’t fun and I more than once felt like a ship adrift in storms far from a safe harbor.

So forgive me this week if I take some time to look both directions. Backward to the past, and forward to the coming year over the next few days. There will be photos too.

Like many children, I had a fear of the dark. It was never the dark I feared, but unknown things that could be lurking in the dark. What those things were are lost along with many other childish thoughts from those days. What I think I truly feared though was the unknown that the dark represented, and that fear of the unknown lingers in us all.

I no longer fear monsters hiding in the night, but those unknowns still exist.  It comes in when a person you trusted and cared for hurts you without explanation. The fear arrives as the tone in a lover’s voice when you realize that she’s going to end the relationship. It will show up as the ringing phone in the middle of the night that leads you to a loved one in the hospital. It brings with it injury and age as they take a toll on those you love. It comes when those we care about and trust leave or betray us and we do not understand why.

As a child I could hide under the covers feeling from the fear or run to the light of my parent’s porch where safety lay. My adult fears cannot be escaped as easily. Instead they follow me into bed during sleepless nights passed staring at the dark ceiling. They cannot be defeated like the monsters in a horror story.

But they can be defeated by facing them. By feeling fear, but moving anyway. By trusting again after someone breaks your trust. By letting someone else in to see the scar the last person left when they parted. By cherishing time that remains with those who have little left.

Fear tells you what you care about. Fear sharpens your focus to what truly matters.

As the year ends I’ve been buffeted, hammered, and perhaps a little bent. But I’ve not broken. I’ve picked myself up, dusted myself off, and begun moving forward again.

I’ve been angry and hurt this year, but I’m choosing to forgive. There were friendships that have been lost or strained, and I’m choosing to attempt to rebuild those. To reach out to those who hurt me and attempt to repair the damage done without worrying about who did what to who. I do so knowing they won’t all repair, but that some will and those are worth the pain of the ones that do not. I will let people in again knowing some will hurt me someday, but those who do not will be worth that pain.

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This week I’m going to post some photos from my early shoots. I’m going back into the archives for these so expect to see more of my learning process than polished work. Some are images I like, but all, along with many others not posted, were part of the growth process toward getting to where I am as a photographer today.

In 2008 I decided to make a real push to get more serious about my photography after dabbling in and out of it for a few years. This photo comes from a shoot that fall and one of the first shoot after making a late year decision to really start working and improving my craft. Tammi was inexperienced, but willing to learn, and had a lot of potential as a model. We only worked together this one time. A similar color photo this pose is still in her portfolio today though she didn’t model long.

Mikki Marvel

October and November were pretty busy months photographically. Early in the month were shoots with Leigh Anti and Mindy that I’ve already posted some work from. There was also a shoot with Xlcr Moon that will be coming up here soon. Then I had a little break as I finished training for my first 8k race and took some time to do some landscape work along the Blue Ridge posted last week.

Just before Halloween I had the chance to work with Mikki Marvel for the first time as travelled through the area. This was the start of a busy stretch where I squeezed in another shoot with Melissa Jean right before my trip to Arizona. In Arizona, other than the landscape work I’ve posted with more to come, I also had three shoots that will be coming to the site over the next few weeks.

With Mikki I was looking to go to some basic arn nude styled work for most of the shoot. While I often turn to a black background like here, I hadn’t been working specifically on this style, a high contrast, low light style in a while. I like the results we came up with.

Mikki Stith

Mikki Stith Mikki Stith

Mikki Stith

Work with Leigh Anti

I’ve just come back from a wonderful trip to Arizona. I’ve a lot of photos form the trip to process, both some landscape work along with some excellent models I had the chance to work with out there. Look for those coming in the next weeks.

Today though, a couple of nice photo from my recent shoot with Leigh Anti.

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Bad Decision, Good Photos

A common theme in my posts on my August shoots with Hannah and Monica, Bree, Viktoria in August was the threat of rain. I drove home from the first two of those three in fairly heavy rain pretty soon after leaving the shoots. The weather hadn’t been my friend early this year, but since May had been more cooperative. On the last day of August that cooperation ended.

For the last day of the month I had a shoot with Melinda planned in the mountains. As the shoot neared, the forecast wasn’t promising. That morning the forecast threatened rain and storms early, but the chance of precipitation dropped after noon. Melinda and I texted that that morning and felt comfortable enough to meet a bit later than originally planned and headed up to the location. The sky when we met contained only scattered clouds, but nothing to hint at the weather to come. The drive held a little more cloudy weather, but again nothing to make us rethink the decision until when we arrived there.

I spend enough time outdoors that I have developed a decent feel for the weather, at least the short term weather. Looking at the sky then my instinct told me that it was likely to rain. Probably nothing more than a light shower or drizzle, but there was a real chance of something heavier. The light rumble of thunder as we headed in were almost like a final warning of nature of what it had in store. I didn’t listen to that experience.

Why? A mix of things. I’d wanted to shoot this spot for a long time. I’d found it more than a year before, but hadn’t been able to get the right combination of the right model, time to go there, and warm enough weather all at the same time until this day. I already had a lot of drive and preparation time invested in the shoot when we parked the car. I didn’t want to walk away after getting here, and in a rare case I really didn’t have a location for a plan B.

It was a long hike from our parking spot and not an easy hike with a lot of elevation change, not the kind of trip to take in iffy weather. The first spot I had in mind lay about a mile and a half and nearly 1,000 feet of climbing away. The second was another half mile further. We headed in feeling a lot more optimistic than I should have.

We’d made it just more than a mile up when I realized the decision was a poor one. I knew we were going to get more than a sprinkle, but still didn’t know what lay in store. The nearest shelter was closer than going back, so we pressed on. As the light rain began, I pulled out the rain jacket I always carry since getting caught in a storm last summer and gave Melinda a second jacket that I’d brought.

I had prepared for the chance of rain. I had the jackets I noted and even extra clothes back in the car. I wasn’t prepared for the storm the rain quickly turned into. We sheltered under some pines for a time, until it was clear that the rain was going to be long and too hard for the foliage to provide protection. I’ve been caught a few times in storms while shooting. A shoot last summer and my first shoot with Hannah Perez several years ago. The rain at the shoot last summer was intense, but we were near the car when it hit and out of the rain in a few minutes. Hannah and I were on our way out when we were caught in the storm, but still endured a long and drenching walk. In both of those other shoots we’d been left soaked, but heading out after the shoot was done.

Here I was better prepared than at either of the other times with a good rain jacket and a jacket for Melinda.

It didn’t help.

I won’t say I’ve never seen a heavier rain, but it felt worse than anything I remember being caught in. Not just the rain, but the lightning just a little too close for comfort and being out there with nowhere to really go. Melinda and I had probably fifteen minutes of walking to the nearest shelter in the best of weather. As we climbed the trails filled with runoff from the downpour to the point it felt like wading a creek. My rain gear did a decent job of keeping my head and shirt dry, but I quickly became soaked from the waist down. Melinda also got soaked, but kept her hair somewhat dry and I’m surprised she kept as dry as she did.

After the miserable hike in the rain we arrived at a shelter happy just to be out of the rain. It looked empty when we arrived and no one answered when I called out a few times. We stripped off our soaked clothes to try to wring them out, let some dry, and regain at least some level of comfort while waiting out the rain. Really nothing to make a lasting impression when working with a model the first time like getting caught in a storm and stripping down to get dried out. Adding to the fun it turned out we weren’t quite alone as thought. Another couple had taken shelter before the rain, but were in another part of the shelter and apparently couldn’t here me over the rain. They saw a bit more than they probably expected that day.

Doing outdoor work relies on being able to adapt to changes quickly. Before we’d even taken the first photos, it was perhaps the least cooperative weather I’d seen. So while the rain continued I evaluated what we had. These summer storms can be intense, but rarely last long meaning we’d likely be clear in a half hour or so. Checking her outfits we found a fortunate break in that the dress we’d planned to work with remained dry. I’d planned to shoot around the spot we’d taken shelter. So Melinda got into the dress and we did our first work using the wall along the shelter. I’d brought a small flash and soft box with me in case I decided to shoot here which gave me the ability to produce some decent light. I’m actually pretty happy with how the photos came out.

Melinda

Melinda

Melinda’s hair was straight before we had started the trip which tells you all you need to know about the effect of the weather.

The rain had stopped while we shot there. Behind it left a slightly cool temperature, especially when your clothes are still damp, and fog. Lots of fog. I hadn’t planned for rain and can’t really say it helped anything, but the fog I could find an advantage in. I’d actually had some thoughts of shooting in fog before, but here deep in the woods after a rain with fog felt like an idea I could work with.

We headed out to a second location, moving further from the vehicle as the storm had lifted to reveal the weather we’d expected going into the shoot. I’d found a spot with an old chimney, all left of some forgotten cabin, and had the idea of it as a sort of gate. I’d played a bit with the idea of a gate guardian with Hannah and Monica in some photos, but here the fog could work to enhance the effect with Melinda as the guardian of some deep forest gateway.  The fog really shows in the second of these two.

Melinda 

Melinda

I’m very happy with the photos. While not what I’d planned starting the day, they came out very nice. The shelter worked well with Melinda’s glamour after splashed by rain look. And I loved the foggy location with that old chimney. Melinda was wonderful to work with and rolled with the punches the weather threw at us. I’m hoping to work again with her soon.

Summer work with Ashley Graham

I live only a few hours from Atlanta, close enough I’ve been there and back in the same day more than once. For some reason I rarely go to Atlanta with time to get much photography in. I did work in a shoot that I realize I’ve not posted anything from, which I will correct soon, back in the winter for the first time in a few years. During the summer I had a longer trip to Atlanta and worked in a shoot with Ashley Graham before leaving the city.

I first worked with her on a waterfall shoot a few years ago, and I always enjoy working with her. She’s an amazing model to work with and very good at taking a pose and working with little direction. Some work from the shoot below.

Ashley Graham

Ashley Graham

Ashley Graham

Want to see more from this shoot including some more risqué work. Two galleries can be found on Uncovered Visions here and here.

Hannah Perez and Monica Jade – The Falls Three

This actually was the first shoot chronologically in the early part of August. I shot with Bree a few weeks later and Viktoria a few days after that. Hannah always travels with good models and several times I’ve worked with someone for the first time when travelling with her though in this case I’d already worked with Monica for the first time earlier in the year. We planned to meet up near the location for a late morning shoot. In a trend of the month, the weather was threatening calling for about a 50/50 chance of rain even a couple days before. We decided to plan for the shoot to work and hope we got lucky.

Hannah Perez and Monica Jade

We headed up to the location and got there and the weather was pretty cooperative. It was cloudy and the clear threat of rain was there, but not enough to feel we had no chance of getting the shoot completed. We even had a little sun to start, which was an unexpected bonus and curse. We started at the falls. Hannah and Monica work well together, a big advantage of pairing models that know each other before the shoot, and did wonderful work.

Hannah Perez and Monica Jade

We also did the first of the meadow shots and really my favorite work there. The concept here came from talking with the models, the idea is the photographer is a bit of a voyeur coming across the two of them walking together in the woods. It worked nicely.

Hannah Perez and Monica Jade

 

See more from this shoot at Uncovered Visions.